The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
The subterranean baths, called the baths of Maria Padilla, are entered
from the palace end of the garden. They extend to a considerable
distance under the palace, and must during the summer heats, have been a
delightfully cool retreat.
This _alcazar_ is probably the best specimen of a Moorish residence
remaining in Europe. The Alhambra would, no doubt, have surpassed it,
but for the preference accorded by the Emperor, Charles the Fifth, to
its situation over that of Seville: owing to which he contented himself
with building a gallery over the principal court at the latter; while at
Granada, he destroyed a large portion of the old buildings, which he
replaced by an entire Italian palace. At present the ornamented
apartments of the Seville palace are more numerous, and in better
preservation than those of the Alhambra.
Both, however, would have been thrown into the shade, had any
proportionate traces existed of the palace of Abderahman the Third, in
the environs of Cordova. Unfortunately nothing of this remains but the
description. It is among the few Arab manuscripts which escaped the
colossal _auto-da-fé_ of Ferdinand and Isabella, and would appear too
extravagant to merit belief, but for the known minuteness and accuracy
of the Arab writers, proved by their descriptions of the palaces and
other edifices which remain to afford the test of comparison.
The immense wealth lavished by these princes, must also be taken into
consideration, and especially by the Caliphs of Cordova, who possessed a
far more extended sway than belonged to the subsequent dynasties of
Seville and Granada. According to a custom prevalent at their court,
rich presents were offered to the sovereign on various occasions. Among
others, governors of provinces, on their nomination, seldom neglected
this practical demonstration of gratitude. This practice is to this day
observed at the court of the Turkish Sultan, and serves to swell the
treasury in no small degree. Abderahman the Third, having granted a
government to the brother of his favourite, Ahmed ben Sayd, the two
brothers joined purses, and offered a present made up of the following
articles--accompanied by delicate and ingenious compliments in verse,
for the composition of which they employed the most popular poet of the
day:--Four hundred pounds weight of pure gold; forty thousand sequins in
ingots of silver; four hundred pounds of aloes; five hundred ounces of
amber; three hundred ounces of camphor; thirty pieces of tissue of gold
and silk; a hundred and ten fine furs of Khorasan; forty-eight
caparisons of gold and silk, woven at Bagdad; four thousand pounds of
silk in balls; thirty Persian carpets; eight hundred suits of armour; a
thousand shields; a hundred thousand arrows; fifteen Arabian, and a
hundred Spanish horses, with their trappings and equipments; sixty young
slaves--forty male, and twenty female.
Public-domain text, read in full here on John Shaqi.
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