The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
The relatives and friends of the students were present, so that the
youthful dancers were well-provided with partners. The performances were
French quadrilles, English hornpipes, German waltzes, Russian mazurkas,
and Spanish fandangos. I had arrived too late for the first part of the
entertainment, which consisted of a bull-fight, for which a temporary
arena had been enclosed. The bulls were what are called _novillos_--that
is, scarcely more than calves; as the full-grown animals would have been
more than a match for their juvenile antagonists.
The ruins of the Roman city of Italica, to which I have already alluded,
are situated four miles from Seville in ascending the river--and on the
opposite bank. The whole town is underground, with the exception of a
few houses in the part in which excavations have been made, and of the
amphitheatre which occupies an eminence. No notice was taken in modern
times of the existence of this buried town, until towards the end of the
last century, when the remains of the amphitheatre, the only portion of
the ruins which were visible, drew the attention of travellers: and the
authorities of Seville received orders to commence excavating. The
search yielded a large quantity of valuable remains; a temple was
discovered, in the neighbourhood of which were found several statues and
capitals of columns. A choice was made of the objects in the best state
of preservation, which were forwarded to Madrid in order to form a
museum. Large quantities of coins were also sent, and collections of
household utensils, and ornaments. The Arabs, who did not consider these
Roman relics worthy objects of antiquarian research, nevertheless had
either discovered and laid open a large portion of the town, or were
themselves its destroyers. From it they extracted the large quantities
of marble columns and slabs with which Seville is filled. The mutilated
statues, together with several funereal monuments, found in later times,
and not considered deserving of the journey to Madrid, have been
deposited in a large room in the Alcazar of Seville, where they are now
exhibited.
Public-domain text, read in full here on John Shaqi.
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