The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
The date of the destruction of Italica, is as uncertain as that of its
origin. The fact of its existence during almost the entire period of the
Gothic dominion, is established, by the presence of its bishops being
recorded at the different councils. It is conjectured that its
destruction was the work of the Arabs, who were no sooner in possession
of Seville, than they considered it imprudent to allow so large a town
to be in the hands of enemies in their immediate neighbourhood. This
supposition of Spanish antiquaries seems hazarded without sufficient
reflection; since, in the first place, had the occupants of Italica
occasioned the Arabs any uneasiness, nothing was easier than to occupy
the place themselves; and secondly, the ruins bear strong symptoms of
having been reduced to their present state by some convulsion of nature,
rather than by human agency: not to mention the coins discovered in
large quantities, which would not have been neglected by human
destroyers. It is not likely that the destruction of so considerable a
place by the conquerors of the province, at the time they were too few
to defend it, would have been overlooked by their historians--who make
no allusion to the event.
The present appearance is that of a green undulating hill, which no one
would imagine to be composed of the remains of streets, palaces,
temples, and market-places. The upper portion only of the amphitheatre
remains above-ground. Its form is slightly oval, nearly approaching to a
circle. The greatest diameter is three hundred and twenty-five feet. It
has twenty rows of seats, half of which are buried; each seat is two
feet and a half in depth, and two in height. Part of the Podium remains;
and enough of the entrance, to distinguish that it consisted of three
large arches. It was constructed with Roman solidity. Nothing less than
an earthquake could have toppled over the masses of masonry, which
appear in their confusion like solid rocks. A very small portion of the
ruins has been explored: and part of that, for want of being
sufficiently cleared out, is again buried in earth, and the work is
discontinued. The objects now above-ground, consist of five or six
tessalated floors, two of which have been considered of sufficient value
to be walled in, and locked up, but without being roofed.
These ruins are well worth a visit, although the road to them from
Seville, bears terrible symptoms of having been constructed before
Macadam's day; perhaps even before that of the Scipios.
Public-domain text, read in full here on John Shaqi.
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