The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.Wells, Nathaniel Armstrong
Islamic
The Picturesque Antiquities of Spain: Described in a series of letters, with illustrations representing Moorish palaces, cathedrals, and other monuments of art, contained in the cities of Burgos, Valladolid, Toledo, and Seville.
Descending from the Alcazar through the Plaza de Zocodover, and thence
towards the bridge of Alcantara, a few yards from the Plaza bring us in
view of the façade of the Hospital of Santa Cruz, or "de los niños
expositos,"--foundling hospital. The institution owes its origin to the
Archbishop, Don Pedro Gonzalez de Mendoza, called the Great Cardinal of
Spain. Although death prevented his witnessing the execution of his
project, his fortune, administered by his next relatives and
executors,--the Queen Isabella, and the Duke of Infantado,--was
employed in the erection of the buildings, and in the endowment of the
establishment. The plans and conditions were not even drawn up until
after the Cardinal's death; and they were never entirely put in
execution. The church consists of one nave, of a length out of all
proportion to its width and elevation. It was to have been crossed by
another of the same proportions, with the exception of the elevation,
which was to have been eighty feet in both. This combined with the
length--about three hundred and fifty feet, as is seen in the existing
nave,--would have rendered the edifice one of the most extraordinary in
existence. The altar was to have stood in the centre of the intersection
of the two naves. As it is, the long bare interior looks as though it
had been destined for a picture gallery or library, but rather for the
latter from the low-coved roof of cedar, and from the inadequate
distribution of light. To the left of the altar is seen a portrait of
the founder; and on the opposite side, about a hundred feet further down
the nave, a large Adoration,--a superior painting, especially with
regard to the colouring: the author unknown.
Public-domain text, read in full here on John Shaqi.
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