In his prayer I could see that he elevated his noble countenance to
the heavens, as if, in his mind, mentally overlooking the inanimate
statue before him, and directing his thoughts to the Invisible and
Supreme Dweller in the secret places of His universe beyond the sun!
Remeses stood in a devotional attitude, but with his thoughtful brow
bent to the ground. I could perceive, now that we had conversed so
much together upon these divine things, that he was worshipping, in
the depths of his heart, the God of gods, wherever that Dread and
Mighty Power is enthroned on the height of His universe, or the wings
of the imagination can go out to Him and find Him.
The great invocatory prayer ended, the high-priest received from
Remeses a votive crystal box of the fragrant Ameracine ointment--a
gift so costly and precious that only the princes and the priests are
permitted to possess it--and broke it upon the breast of the god,
anointing him in the name of the people of Egypt. The odor filled all
the air. A priest then handed to him a golden cup richly chased with
sacred symbols, and another, filling it from a vase of wine, the
offering of the chief Archencherses, who is next in military rank to
Remeses, he elevated it a moment, and poured it out at the feet of the
god as a libation for the hosts. Some other interesting ceremonies
followed, such as consecrating and presenting a sword to the prince,
and the touching of the altar by all the chiefs with the points of
their weapons as they passed it in descending to the field, the
high-priest sprinkling each one of them with sacred water from the
Nile. The last act of sacrifice--for, though bloodless, the Egyptians
term the whole rite a sacrifice to the god--was by Remeses. The
high-priest placed in his hands a censer--for the prince, by virtue of
his rank, is a royal priest; and Remeses, accepting it with reverence,
cast upon the live coals of palm-wood a quantity of incense. Then
approaching the altar, he waved it before it until clouds of smoke
rose into the air and enveloped his head.
At this moment, the most sacred one of the whole scene, there appeared
advancing from the pavilion-temple a beautiful maiden, the daughter of
the high-priest. She was arrayed in a pure white robe, which floated
about her in the wind like a cloud. Over her shoulders was thrown a
crimson scarf, on which was embroidered the cartouch of the god. Her
rich, flowing hair was bound about her stately brow by a crown of
flowers, above which rose a silver helm with a crest of emeralds
and sapphires, in imitation of the feathery coronet of the
bird-of-paradise. Her face was wonderfully beautiful, her dark eyes
beamed with love and joy, and her form was the impersonation of grace.
Public-domain text, read in full here on John Shaqi.
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