house," if the apartments below are sultry and close. Some noble
edifices have flights of steps of porphyry or marble leading to a
raised platform of Elephantine or Arabic stone, with a doorway between
two columns as massive as towers--ambitious imitations of the propyla
of the temples. These gateways have three entrances, a smaller one on
each side of the principal entrance for servants, who are very
numerous in an Egyptian house of the first class. Such is the house of
my friend, the Admiral Pathromenes, whom I visited the day I saw him
in his galley, and just before he sailed with the fleet for Ethiopia.
On entering the portal, I passed into an open court, on the right side
of which was the mándara or receiving-room for visitors, where
servants took my sandals, and offered water for my hands in silver
ewers, at the same time giving me bouquets of flowers. This room,
surrounded by gilt columns, and decorated with banners, was covered by
an awning supported by the columns, and was on all sides open to
within four feet of the floor, which lower space was closed by
intercolumnar panels, exquisitely painted with marine subjects. Above
the paneling a stream of cool air was admitted, while the awning
afforded protection from the rays of the sun. This elegant
reception-hall had two doors--that by which I had entered from the
street, and another opposite to it which communicated with the inner
apartments. Upon my announcement by the chief usher, the admiral came
through the latter door to receive me; hence the title of
"reception-room" given to this column-adorned and paneled hall. He
embraced me, and entered with me by his side into a corridor which led
into a court of large dimensions, ornamented in the centre with an
avenue of trees--palm, olive, orange, and fig trees, the latter being
an emblem of the land of Egypt. Here numerous birds filled their leafy
coverts with melody. Six apartments faced as many more on two sides of
this court--the corridor, or piazza, of pictured columns extending
along their entire front; and before the corridor was a double row of
acacia-trees. We did not turn to these rooms, but, advancing along the
charming avenue between them, passed around a brazen fountain-statue
of Eothos or Neptune, who was pouring water out of a shell upon a
marble lotus-leaf, from which it fell into a vase of granite. Passing
this figure, we kept the avenue till we came to a beautiful door
facing the great court. It was of palm-wood, carved with devices of
branches and flowers, and inlaid with ivory and colored woods, all
finely polished. At this door a servant, in neat apparel, met us, and
opening it ushered us into the sitting-room of "the lady of the
house," who had already received notice of our approach, and who,
presenting me with flowers, welcomed me graciously, and with a
cordiality that gave me a favorable estimation of the goodness of her
heart, and the amiability of her disposition.
Public-domain text, read in full here on John Shaqi.
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