"Not a priestess. I simply believe in the unity of God, which you
ought to believe in; for thou art open and ingenuous, and not afraid
of truth. A priestess I am not, yet in my family and tribe is
preserved sacredly the knowledge of the God who spake from heaven to
our ancestor, the Syrian. Canst thou believe, O prince, that a bull is
God?" she asked again, almost authoritatively.
"No, I do not," I answered, without disguise.
"Dost thou believe that all minor deities will ultimately be lost in
one God?"
"I do, most certainly."
"Then worship Him! Thou art a prince. I hear thou wilt become a king.
What would be your opinion of your subjects, and ambassadors of other
lands, also, if, instead of presenting petitions to you, they should
offer them to your grand-chamberlain, your royal scribe, your chief
butler, or chief baker,--mistaking them ignorantly for you?"
I made no reply, dear mother. The argument was irresistible. It will
be long, I feel, before I recognize in Apis, or in any statue of
stone, or any figure of a god, the One God, whose existence Remeses
first hinted at to me, and which the Hebrew has made me believe in;
for my own reason responds to the mighty truth! Do not fear, my dear
mother, that I shall return to Tyre an iconoclast; for I cannot set up
a faith in the One God in my realm, until I have His existence
established by infallible proofs. In my own heart I may believe in Him
and adore Him, whom my reason sees through and beyond all material
images of Himself; but, with Remeses, I must secure a foundation for
this new faith, before I overturn the ancient fabric of our mythology
of many gods.
She resumed her work. It was coloring the wings of an image of the
sun, which, encircled by an asp, his head projected, and with extended
wings, adorned the beginning of one of the leaves. The sun was
overlaid with gold; the asps were painted green, and brown, and gold,
while the feathers of the wide wings were blue, orange, purple,
silver, and gilt. It was an exquisitely beautiful picture.
"That is a god," I said, after watching for a time her skilful pencil;
"and yet you design and color it."
"The potter is not responsible for the use that his vases are put to.
The slave must do her mistress's work. I fulfil my task and duty by
obedience to the lords who are over me. Yet this is not a god. It is
the emblem of Egypt. The eternal sunshine is symboled in this golden
disk. The entwining asp is the winding Nile, and the two wings
represent Upper and Lower Egypt, extending along the river. It is an
emblem, not a god. In Egypt, no temple is erected to it. It is used
only in sculpture and over pylones of temples. Yet," she added, "were
it a god, I could not refuse to depict it. Commanded to do, I obey.
The condition of my people is one of submission: if a king rules well,
he is approved; if a slave obeys well, he also is approved."
Public-domain text, read in full here on John Shaqi.
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