Not being noticed at all by them, I was conducted by the stately Hebrew into a chamber, which was the vestibule to a large apartment, whither we descended by eight steps, that led to a large brazen door with two leaves. This was secured; but a small side door admitted us into a vast subterranean room, which I saw was a place for casting. Numerous workmen were busy about heated furnaces: some blowing the fire beneath crucibles for melting gold, some weighing gold and delivering it to the smiths; and others washing gold. Some were casting small images of Apis in moulds, while a superintendent moved up and down, dressed in the close robes of vesture priests wear, when not performing duties at the altar. It was a scene of busy toil and constant activity. "This," said my guide, "is the casting-chamber of the temple. Each of us has his departments. It is mine, to oversee the mixing of gold with the proper alloy, and I have a scribe who records the results. Here, you see, is a life-size image of Apis, when he was a calf. It is for the temple at Bubastis, of the Delta. There you behold a mould for one of larger size, ordered for the shrine at Osymandyes." "Do you never cast any figures of the size of Apis?" I asked, looking about me in amazement at this extraordinary scene. "Not of gold," he answered, conducting me through the vast room in which fourscore men were at work "Those are cast of bronze, not here, but at a temple near the pyramid Dendara. The gods of this temple are in great repute throughout all Egypt. They are consecrated here before they are sent away, with ancient rites, known only to the priesthood of this shrine. Come with me into this side apartment." I followed him through a passage having double-doors of brass, and found myself in a room full of vases, each one of which contained a quantity of jewelry, consisting of rings for the fingers and thumb, ear-rings, bracelets, flower-holders of gold, necklaces, and signets, all of gold. "These are sent here from various temples in the different nomes, out of which, after melting them, we cast images of the size demanded." In another room the intelligent Hebrew exhibited to me a great number of small figures of Apis, of gold of Havilah, which is remarkably beautiful from its deep orange-color. These figures, though not a palm long, were valued at a talent. On all these images of the sacred calf, I perceived that the mark of the crescent between the shoulders was distinctly imitated, as well as the other peculiarities. Upon the head of some of them was a sun enwreathed by the sacred uræus. "Does your temple derive a revenue from all this?" I asked the Hebrew. "There is a tithe retained from all the gold that is sent hither, for the expenses of the temple," he answered.