The pillars of Hercules : $b or, A narrative of travels in Spain and Morocco in 1848; vol. 1Urquhart, David
History
The pillars of Hercules : $b or, A narrative of travels in Spain and Morocco in 1848; vol. 1
Urquhart, David
Morocco -- Description and travel; Spain -- Description and travel
What do the critics do with it? They look at it, handle it, turn it
over and over, taste it, chew it, kick it, and do everything with it
but explain it; exerting all the while the extremest ingenuity to
avoid the simple explanation before their eyes. Some make them to be
pillars set up like those of Hercules,[184] some “votive offerings,”
some “rocking stones,”[185] some “amulets.” Of course there is not a
shadow of ground for any one of these interpretations, and they are
each directly at variance with the description which the ancients have
left us of the thing; their explanation, in every case, consisting in
making out the thing to be different from that which it is described.
Some indeed go further, and scoff and jeer; set Sanconiathon right,
and undertake the revision of all the writers, and of all the copyists
who have ever described Batylia, or transcribed the description.
We learn by a line in Priscian, the name or _a_ name, by which the
Phœnicians knew them. He says, “they call _Abadir_, the stone given
by Rhea to Saturn;” elsewhere the word Abadir occurs, as said to be
applied by the Phœnicians to “unknown gods.” Abadir is not Hebrew, and
an emendation has been suggested by Bochard, _aban-dir_, which means
_round stone_.
These round stones[186] supply the last link in the chain. The magnet
must have been consulted with ceremonies, and considered as an oracle
or a god. When the vessels returned into harbour it would be carried to
the Temple, and exposed, like the other mysteries, to the gaze of the
vulgar and uninitiated. Here, laid up in the Temples, are the compasses
of the Phœnician argosies, preserved as sacred to the latter days of
Paganism, although the secret would have died out centuries before.
Public-domain text, read in full here on John Shaqi.
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