The pillars of Hercules : $b or, A narrative of travels in Spain and Morocco in 1848; vol. 1Urquhart, David
History
The pillars of Hercules : $b or, A narrative of travels in Spain and Morocco in 1848; vol. 1
Urquhart, David
Morocco -- Description and travel; Spain -- Description and travel
If the costume were an original one in its present form, we should
have primitive names for kilt and plaid, its distinguishing features.
_Kilt_ is not a Gaelic word: there is _no word in Gaelic_ for kilt.
It is called “The short plaits” (fillibeg), as distinguished from the
“long plaits” (fillimore),[98] now fallen into disuse. _Plaid_ is not
a Gaelic word, and for plaid there is in Gaelic no other name than
brechan, or “colours.” Plaid and kilt are equally of the brechan, and
it is admitted by the best authorities that formerly they were one: the
belted plaid still shows it. With “long plaits” the plaid would reach
to the dimensions of the present Moorish haïk. In putting on the plaid
you bring the corner over the breast, take one turn round the body, and
throw the end over the left shoulder: it is precisely the way a Moor
accustomed to the haïk would put it on. The kilt and plaid alone are in
tartan, being alike composed of the “flag mantle:”[99] the jacket, like
the tunic of the Moor, or the body and sleeves of the Spanish lady,
was of any colour. To the saya manta and the haïk the peculiarity of
colour is in like manner reserved: _brechan feil_ is the name of the
Highland garb, and identical with saya manta. Thus, in the haïk still
lives the common parent of the costume of the Highland clansmen and the
Spanish lady: in the one case the name has descended on the covering
of the shoulders (_brechan_,[100] Gaelic), in the other (saya) in that
of the legs. It is curious that the old name is given in Spain to the
petticoat of the women; in England to the breeches of the men.
In the mountains between Baeza and Guadix, which were the last refuge
of the Moors, I have seen the manta worn by the men, corresponding in
texture exactly with the haïk worn by the Arab women in the tents,
which are sometimes striped in colours: the colours in like manner
being pure, and of course rich and brilliant, are dyed at home.
Sometimes the stripes are crossed, which is not the practice in
Barbary. The first I saw was so like a Scotch plaid, that, until I
examined it, I took it for a piece of English manufacture.
Public-domain text, read in full here on John Shaqi.
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