The pillars of Hercules : $b or, A narrative of travels in Spain and Morocco in 1848; vol. 1Urquhart, David
History
The pillars of Hercules : $b or, A narrative of travels in Spain and Morocco in 1848; vol. 1
Urquhart, David
Morocco -- Description and travel; Spain -- Description and travel
The wearing the mantilla at church, I have heard attributed to the
despotic power of the priests over the women:--the chulos of the
bull-ring, there exercise equal despotism over the men. Blanco White
narrates that during the plague at Seville, and when religious fervour
was, in consequence, at its height, a priest at Alcala “claimed and
exercised a right to exclude from church such females as by a showy
dress were apt to disturb the abstracted yet susceptible minds of the
clergy. It should be observed, by the way, that as the walking dress of
the Spanish females absolutely precludes immodesty, the conduct of this
religious madman admits of no excuse or palliation. Yet this is so far
from being a singular instance, that what sumptuary laws would never
be able to accomplish, the rude and insolent zeal of a few priests has
fully obtained in every part of Spain. Our females, especially those of
the better classes, never venture to church in any dress but such as
habit has made familiar to the eyes of the zealots.”
I was present at the festival of the patron saints of the place, and,
throughout the whole population, saw not one coloured dress or one
bonnet. The mantilla was worn in deference to the priests, who are
to-day as powerful as they ever have been, and as despotic as they
could ever wish to be.
A more perfect contrast there cannot be than between the cathedral
and a fashionable tertulia. In the former nothing is to be seen but
the black and glittering silk and the rich blonde: at the other no
trace of Spain--not even in the music or the dances--no mantilla, no
bolero, no fandango, no guitar, no castanet--nothing but the unmeaning
quadrille, the shuffling heedless step, the Paris millinery, the false
tints and kaleidoscope patterns:--everything commonplace and vulgar, or
rather the bad imitation of vulgarity and commonplace. The conversation
wanted even the compensation you meet with in Europe--stored memories,
clever flippancy, and gladiatorial faculties. Thus a people who,
had they remained themselves,[101] would have been, in their forms
as in their character, an object of study and of admiration, are
converted (the higher orders, I mean) into something which must inflict
disappointment, if not inspire contempt.
Public-domain text, read in full here on John Shaqi.
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