The Pilot: A Tale of the SeaCooper, James Fenimore
History
The Pilot: A Tale of the Sea
Cooper, James Fenimore
Historical fiction; Sea stories; United States -- History -- Revolution, 1775-1783 -- Naval operations -- Fiction; War stories
At one end of the table an elderly man was seated, who performed
whatever little acts of courtesy the duties of a host would appear to
render necessary, in a company where all seemed to be equally at their
ease and at home. This gentleman was in the decline of life, though his
erect carriage, quick movements, and steady hand, equally denoted that
it was an old age free from the usual infirmities. In his dress, he
belonged to that class whose members always follow the fashions of the
age anterior to the one in which they live, whether from disinclination
to sudden changes of any kind, or from the recollections of a period
which, with them, has been hallowed by scenes and feelings that the
chilling evening of life can neither revive nor equal. Age might
possibly have thrown its blighting frosts on his thin locks, but art had
labored to conceal the ravages with the nicest care. An accurate outline
of powder covered not only the parts where the hair actually remained,
but wherever nature had prescribed that hair should grow. His
countenance was strongly marked in features, if not in expression,
exhibiting, on the whole, a look of noble integrity and high honor,
which was a good deal aided in its effect by the lofty receding
forehead, that rose like a monument above the whole, to record the
character of the aged veteran. A few streaks of branching red mingled
with a swarthiness of complexion, that was rendered more conspicuous by
the outline of unsullied white, which nearly surrounded his prominent
features.
Opposite to the host, who it will at once be understood was Colonel
Howard, was the thin yellow visage of Mr. Christopher Dillon, that bane
to the happiness of her cousin, already mentioned by Miss Plowden.
Between these two gentlemen was a middle-aged hard-featured man, attired
in the livery of King George, whose countenance emulated the scarlet
of his coat, and whose principal employment, at the moment, appeared to
consist in doing honor to the cheer of his entertainer.
Occasionally, a servant entered or left the room in silence, giving
admission, however, through the opened door, to the rushing sounds of
the gale, as the wind murmured amid the angles and high chimneys of the
edifice.
A man, in the dress of a rustic, was standing near the chair of Colonel
Howard, between whom and the master of the mansion a dialogue had been
maintained which closed as follows. The colonel was the first to speak,
after the curtain is drawn from between the eyes of the reader and the
scene:
“Said you, farmer, that the Scotchman beheld the vessels with his own
eyes?”
The answer was a simple negative.
“Well, well,” continued the colonel, “you can withdraw.”
The man made a rude attempt at a bow, which being returned by the old
soldier with formal grace, he left the room. The host turning to his
companions, resumed the subject.
Public-domain text, read in full here on John Shaqi.
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