The Pilot: A Tale of the SeaCooper, James Fenimore
History
The Pilot: A Tale of the Sea
Cooper, James Fenimore
Historical fiction; Sea stories; United States -- History -- Revolution, 1775-1783 -- Naval operations -- Fiction; War stories
The withdrawing-room of St. Ruth's was an apartment which, tradition
said, had formerly been the refectory of the little bevy of fair sinners
who sought a refuge within its walls from the temptations of the world.
Their number was not large, nor their entertainments very splendid, or
this limited space could not have contained them. The room, however,
was of fair dimensions, and an air of peculiar comfort, mingled with
chastened luxury, was thrown around it, by the voluminous folds of the
blue damask curtains that nearly concealed the sides where the deep
windows were placed, and by the dark leathern hangings, richly stamped
with cunning devices in gold, that ornamented the two others. Massive
couches in carved mahogany, with chairs of a similar material and
fashion, all covered by the same rich fabric that composed the curtains,
together with a Turkey carpet, over the shaggy surface of which all
the colors of the rainbow were scattered in bright confusion, united to
relieve the gloomy splendor of the enormous mantel, deep heavy cornices,
and the complicated carvings of the massive woodwork which cumbered the
walls. A brisk fire of wood was burning on the hearth, in compliment to
the willful prejudice of Miss Plowden, who had maintained, in her most
vivacious manner, that sea-coal was “only tolerable for blacksmiths
and Englishmen.” In addition to the cheerful blaze from the hearth, two
waxen lights, in candlesticks of massive silver, were lending their aid
to enliven the apartment. One of these was casting its rays brightly
along the confused colors of the carpet on which it stood, flickering
before the active movements of the form that played around it with light
and animated inflections. The posture of this young lady was infantile
in grace, and, with one ignorant of her motives, her employment would
have been obnoxious to the same construction. Divers small square pieces
of silk, strongly contrasted to each other in color, lay on every side
of her, and were changed, as she kneeled on the floor, by her nimble
hands, into as many different combinations as if she was humoring the
fancies of her sex, or consulting the shades of her own dark but rich
complexion in the shop of a mercer. The close satin dress of this young
female served to display her small figure in its true proportions,
while her dancing eyes of jet black shamed the dyes of the Italian
manufacturer by their superior radiance. A few ribbons of pink,
disposed about her person with an air partly studied, and yet carelessly
coquettish, seemed rather to reflect than lend the rich bloom that
mantled around her laughing countenance, leaving to the eye no cause to
regret that she was not fairer.
Public-domain text, read in full here on John Shaqi.
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