The pioneer : $b A tale of two statesBonner, Geraldine
General
The pioneer : $b A tale of two states
Bonner, Geraldine
California -- Fiction; Nevada -- Fiction; Western stories
She hurried on down the long flagged hall, at one side of which was
the dressing-room. Rion followed and saw the three enter it. He stood
outside, irresolute, not liking to look in through the open doorway
and unable to go away. Presently the Colonel emerged, saw him, and
hurrying toward him, said in quick, low-toned urgency:
“You’re just the man I want. June’s sick. I’m going to get the carriage
and I don’t want any of these fools of people round here to see her.
You bring her down as soon as she’s ready.”
“What’s the matter with her?” Rion asked again. “Is it serious?”
“It’s--it’s--the heart,” said the Colonel, bent on shielding his
darling even to her lover and his own friend. “She’s--she’s--had
attacks before. Yes, it’s damned serious.”
He was gone with the words, and Rion, standing by the dressing-room
door, looked in and caught a glimpse of June standing between Rosamund,
who was fastening her cloak, and a white-capped negress who was draping
a lace scarf over her head. She looked like a sleep-walker, wide-eyed
and pallid under their arranging hands. He did not move away this time,
but instead walked to the door and said to Rosamund:
“The Colonel wants me to take you to the carriage.”
As they moved toward him he entered, drew June’s hand inside his arm
and walked down the hall to the door. There were several short flights
of marble steps leading from the porch to the street. When he came to
these he threw her cloak aside, pushing it out of his way, put his arm
around her and half carried her down. Her body in the grasp of his arm
seemed pitifully small and frail. She said nothing, but he felt that
she trembled like a person in a chill.
At the foot of the steps the carriage stood, the Colonel at the door.
The hour was an auspicious one for an unseen exit. It was too late
for the most dilatory guest to be arriving, and too early for the
most unfestal to be leaving. The street was devoid of pedestrians and
vehicles, and lit by the diminishing dots of lamps and the gushes
of light from the illuminated house, presented a vista of echoing
desertion.
The Colonel opened the carriage door, helped Rosamund in first and
lifted June in after her. He was standing with the handle in his hand
when a footstep he had vaguely heard advancing through the silence
struck loud on his ear. He turned quickly and saw a man come into view
from the angle of the side street, walk rapidly toward the house, and
then stop with that air of alertly poised hesitancy which suggests
a suddenly-caught and concentrated attention. The object of this
attention was the Colonel’s figure, and as the new-comer stood in that
one arrested moment of motionless scrutiny, the Colonel saw by the
light of an adjacent lamp that it was Jerry Barclay. They recognized
each other, and the advancing man drew back quickly into the shadow of
the house.
Public-domain text, read in full here on John Shaqi.
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