The Pioneer Boys of the Ohio; or, Clearing the WildernessRathborne, St. George
General
The Pioneer Boys of the Ohio; or, Clearing the Wilderness
Rathborne, St. George
Frontier and pioneer life -- Juvenile fiction; Ohio River -- Juvenile fiction
"Here, boost me up and I will get it; then we can tell all about it,"
answered Bob, who did not believe in wasting time in talk when the
solution of the mystery was so easy to learn.
So Sandy gave him a hand, and the agile lad quickly gained the low
roof; for the new cabin, while commodious, was only one story high,
with a low loft above the living room and just under the roof.
Bob took the arrow from the roof. He seemed to use more or less vigor
in order to extract the flint head, showing that it had come down with
considerable force after its aerial flight.
"Oh! I remember now," said Sandy, suddenly arousing.
"What?" demanded the other, as he prepared to jump to the ground,
holding the feathered missile carefully in one hand.
"Why," said Sandy, eagerly, "something seemed to arouse me just about
daybreak. It sounded like a stone thrown against the house. But I
thought father was up, and getting the fire ready, so mother could cook
breakfast; and I went to sleep again. Bob, that must have been the time
the arrow dropped on the roof!"
"Yes, that was the time," answered Bob; "for the one who held the bow
could never have seen how to aim in the night, even though there was a
moon."
"Aim, do you say, brother? Is it possible then he meant to stick that
arrow in our roof rather than any other?" demanded Sandy, startled.
"I surely do believe it. See, here is a message fastened to the shaft
by little threads drawn from the fibre of cane!" and Bob held up the
piece of birch bark, which Sandy now saw contained various rude designs
possibly drawn with a sharp-pointed eagle quill, dipped in the juice of
the poke berry.
"Blue Jacket!" he exclaimed involuntarily, for suddenly he remembered
that other unique message which the young Shawanee warrior had left, at
the time he had slipped away from the cabin of the Armstrongs.
"Yes, that is the plainest thing of all," remarked Bob, "for you see
here at the end there is what is meant to be the figure of a man, an
Indian, too, for he has feathers in his hair; and his jacket is daubed
with a blue stain. But what puzzles me is to read these signs. Come,
sit down here. Perhaps two heads may prove better than one, and you are
quick at such things."
"Oh! if only Pat O'Mara were here now, how quickly he would read it
all," said Sandy, screwing up his forehead as he scanned the several
lines of strange figures.
"This must mean the sun, all right," remarked Bob, pointing to the
first rude representation in the line.
They both turned to look at the king of day as though understanding
that the Indian artist meant to call their attention that way.
"Well," remarked Sandy, "the old fellow does look angry this morning.
And then the sky all around has a coppery hue. That must mean more dry
weather, brother."
But Bob shook his head. He had seen something more in those queer
picture paintings that caught his attention.
Public-domain text, read in full here on John Shaqi.
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