Chicago (Ill.) -- Fiction; Didactic fiction; Domestic fiction; Married people -- Fiction; Psychological fiction; Wheat trade -- Fiction
"What, you are all alone?" said Corthell's voice, behind her.
She turned about quickly.
"I must be going," he said. "I came to say good night." He held out his
hand.
"Good night," she answered, as she gave him hers. Then all at once she
added:
"Come to see me again--soon, will you? Come Wednesday night."
And then, his heart leaping to his throat, Corthell felt her hand, as
it lay in his, close for an instant firmly about his fingers.
"I shall expect you Wednesday then?" she repeated.
He crushed her hand in his grip, and suddenly bent and kissed it.
"Good night," she said, quietly. Jadwin's step sounded at the doorway.
"Good night," he whispered, and in another moment was gone.
During these days Laura no longer knew herself. At every hour she
changed; her moods came and went with a rapidity that bewildered all
those who were around her. At times her gaiety filled the whole of her
beautiful house; at times she shut herself in her apartments, denying
herself to every one, and, her head bowed upon her folded arms, wept as
though her heart was breaking, without knowing why.
For a few days a veritable seizure of religious enthusiasm held sway
over her. She spoke of endowing a hospital, of doing church work among
the "slums" of the city. But no sooner had her friends readjusted their
points of view to suit this new development than she was off upon
another tangent, and was one afternoon seen at the races, with Mrs.
Gretry, in her showiest victoria, wearing a great flaring hat and a
bouquet of crimson flowers.
She never repeated this performance, however, for a new fad took
possession of her the very next day. She memorised the role of Lady
Macbeth, built a stage in the ballroom at the top of the house, and,
locking herself in, rehearsed the part, for three days uninterruptedly,
dressed in elaborate costume, declaiming in chest tones to the empty
room:
"'The raven himself is hoarse that croaks the entrance of Duncan under
my battlements.'"
Then, tiring of Lady Macbeth, she took up Juliet, Portia, and Ophelia;
each with appropriate costumes, studying with tireless avidity, and
frightening Aunt Wess' with her declaration that "she might go on the
stage after all." She even entertained the notion of having Sheldon
Corthell paint her portrait as Lady Macbeth.
Public-domain text, read in full here on John Shaqi.
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