A poet, doomed to early death, who looked into Nature on a summer’s day and could discern nothing but “an eternal fierce destruction,” wrote, in his despair— “Things cannot to the will Be settled, but they tease us out of thought. ... It is a flaw In happiness to see beyond our bourn; It forces us in summer skies to mourn, It spoils the singing of the nightingale.” But when the world was young things _could_ be settled to the will. We are, of course, constantly regulating our impressions of phenomena by a standard of higher probability. If we see a ship upside down, we say, “This is not a ship, it is a mirage.” When the primitive man found himself face to face with seeming natural laws which offended his sense of inherent probability, he rejected the hypothesis that they were actual or permanent, and supposed them to be either untrustworthy appearances or deviations from a larger plan. Every basic religion gave a large share of thought to animals. The merit, from a humane point of view, of the explanation of the mystery offered by the religious systems of India has been praised even to excess. In contrast to this, it was often repeated that the Hebrew religion ignored the claims of animals altogether. I wish to show that even if this charge were not open to other disproof, no people can be called indifferent to those claims which believes in a Nature Peace. Traces of such a belief spread from the Mediterranean to the Pacific, from the Equator to the Pole. But the Peace is not always complete; there are reservations. In the glowing prediction of a Peace in Nature in the Atharva-Veda, vultures and jackals are excluded. Mazdeans would exclude the “bad” animals. The Hebrew Scriptures, on the other hand, declare that all species are good in the sight of their Maker. Every beast enjoyed perfect content according to the original scheme of the Creator. But man fell, and all creation was involved in the consequences of his fall. I remember seeing at the Hague an impressive painting by a little-known Italian artist[6] which represents Adam about to take the apple from Eve while at their feet a tiger tenderly licks the wool of a lamb. Adam’s face shows that he is yielding—yielding for no better reason than that he cannot say “No”—to the beautiful woman at his side; and there, unconscious and happy, lie the innocent victims of his act: love to be turned to wrath, peace to war. The Nature Peace has been painted a hundred times, but never with such tragic significance. Footnote 6: