The cult of the serpent in its many branches is the greatest of animal
cults, and it is the one in which we see most clearly the process by
which man from being an impressionist became a symbolist, and from being
a symbolist became a votary. We have only to read the Indian statistics
of the number of persons annually killed by snake-bite to be persuaded
that fear must have been the original feeling with which man regarded
the snake. Fear is a religious feeling in primitive man, but other
religious feelings were added to it—admiration, for the snake, as all
who have had the good luck to observe it in its wild state must agree,
is a beautiful, graceful, and insinuating creature; a sense of mystery,
a sense of fascination which comes from those keen eyes fixed fearlessly
upon yours, the simple secret, perhaps, of the much discussed power of
snakes to fascinate their prey. What wonder if man under the influence
of these combined impressions, symbolised in the serpent a divine force
which could be made propitious by worship!
In the forming of cults there has always been this unconscious passage
from impressions to symbols, from symbols to “manifestations.” But there
has been also the conscious use of symbols by the priests and sages of
ancient religions, in imparting as much of divine knowledge to the
uninitiated as they thought that the uninitiated could bear. The origin
of serpent worship has a probable relationship with this conscious use
of symbols as well as with their unconscious growth.
Besides the prejudice against reptiles, modern popular superstition has
placed several animals under a ban, and especially the harmless bat and
the useful barn owl. Traditional reasons exist, no doubt, in every case;
but stronger than these are the associations of such creatures with the
dark in which the sane man of a certain temperament becomes a partial
lunatic; a prey to unreal terrors which the flap of a bat’s wing or the
screech of an owl is enough to work up to the point of frenzy. It is a
most unfortunate thing for an animal if it be the innocent cause of a
_frisson_, a feeling of uncanny dread. The little Italian owl,
notwithstanding that it too comes out at dusk, has escaped prejudice.
This was the owl of Pallas Athene and of an earlier cult. As in the case
of the serpent, its wiles to fascinate its prey were the groundwork of
its reputation for wisdom. Of this there cannot be, I think, any doubt,
though the droll bobs and curtesies which excite an irresistible and
fatal curiosity in small birds, have suggested in the mind of the modern
man a thing so exceedingly far from wisdom as _civetteria_, which word
is derived from _civetta_—“the owl of Minerva” as Italian class-books
say. The descent from the goddess of wisdom to the coquette is the
cruellest decadence of all!
------------------------------------------------------------------------
VI
THE FAITH OF IRAN
Public-domain text, read in full here on John Shaqi.
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