Nelsen got a bit cagy with Art, again. "Okay, Art--you seem like a
formal fella. Mex and I joined up and helped out pretty much as informal
company members. But as long as we've put in our dough, let's make it
official, in writing and signed. The KRNH Enterprises--_K_uzak, _R_amos,
_N_elsen and _H_ines. The 'H' could also stand for Hendricks--Paul
Hendricks."
"I _like_ it that way, you suspicious slob," Art Kuzak chuckled.
So another phase began for Nelsen. Offices bored him. Amassing money,
per se, meant little to him, except as a success symbol that came out of
the life he had known. He figured that a man ought to be a success, even
a rough-and-tumble romantic like Ramos, or Joe Kuzak. Or himself, with
both distance and home engrained confusingly into his nature.
One thing that Nelsen was, was conscientious. He could choose and stick
to a purpose for even longer than it seemed right for him.
Mostly, now, during the long grind of expansion, he was afield.
Disturbances on Earth quieted for a while, as had always happened, so
far. The Belt responded with relative peace. Tovie Ceres, the Big
Asteroid, which, like the others, should have been open to all nations,
but wasn't, kept mostly to its own affairs. There were only the constant
dangers, natural, human, and a combination. There was always a job--a
convoy to meet, a load of supplies to rush to a distant point, Jolly
Lads to scare off. Reckless Ramos might be with Nelsen, or Joe Kuzak who
usually operated separately, or a few guards, or several
asteroid-hoppers, most of whom were tough and steady and good friends to
know. Often enough, Nelsen was alone.
At first, KRNH just handled the usual supplies. But when factory and
hydroponic equipment began to arrive, Joe Kuzak and Frank Nelsen might
be out establishing a new post. There'd be green help, bubbing out from
the Moon, to break in. Nelsen would see new faces that still seemed
familiar, because they were like those of the old Bunch, as it had been.
Grim, scared young men, full of wonder. But the thin stream of the
adventurous was thickening, as more opportunities opened. Occasionally
there was a young couple. _Oh, no_, you thought. Then--_well, maybe_.
That is, if somebody didn't crack up, or get lymph node swellings that
wouldn't reduce, and if you didn't have to try to play nursemaid.
Now and then Nelsen was in Pallastown--for business, for relief, for a
bit of hell-raising; to see Gimp and the David Lesters. Pretty soon
there was an heir in the Lester household. Red, healthy, and male.
Cripes--Out Here, too? Okay--josh the parents along. The most wonderful
boy in the solar system! Otherwise, matters, there, were much better
than before. The camera was in a museum in Washington. The pictures it
had contained were on TV, back home. Just another anti-war film, maybe.
But impressive, and _different_. The earnings didn't change Nelsen's
life much, nor Gimp's, nor Ramos'. But it sure helped the Lesters.
Public-domain text, read in full here on John Shaqi.
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