United States -- Social life and customs -- 20th century -- Fiction
Boom, boom, boom, boom. "Stumbling all around, stumbling all around,
stumbling all around so funny--" Close-packed the couples moved slowly
about the gymnasium, body pressed tight to body, swaying in place--boom,
boom, boom, boom--"Stumbling here and there, stumbling everywhere--"
Six dowagers, the chaperons, sat in a corner, gossiped, and idly watched
the young couples.... A man suddenly released his girl and raced
clumsily for the door, one hand pressed to his mouth, the other
stretched uncertainly in front of him.
Always the drums beating their terrible tom-tom, their primitive,
blood-maddening tom-tom.... Boom, boom, boom, boom--"I like it just a
little bit, just a little bit, quite a little bit." The music ceased,
and some of the couples disentangled themselves; others waited in frank
embrace for the orchestra to begin the encore.... A boy slumped in a
chair, his head in his hands. His partner sought two friends. They
helped the boy out of the gymnasium.
The orchestra leader lifted his bow. The stags waited in a broken line,
looking for certain girls. The music began, turning a song with comic
words into something weirdly sensuous--strange syncopations, uneven,
startling drum-beats--a mad tom-tom. The couples pressed close together
again, swaying, barely moving in place--boom, boom, boom,
boom--"Second-hand hats, second-hand clothes--That's why they call me
second-hand Rose...." The saxophones sang the melody with passionate
despair; the violins played tricks with a broken heart; the clarinets
rose shrill in pain; the drums beat on--boom, boom, boom, boom.... A
boy and girl sought a dark corner. He shielded her with his body while
she took a drink from a flask. Then he turned his face to the corner and
drank. A moment later they were back on the floor, holding each other
tight, drunkenly swaying... Finally the last strains, a wall of
agony--"Ev-'ry one knows that I'm just Sec-ond-hand Rose--from Sec-ond
Av-en-ue."
The couples moved slowly off the floor, the pounding of the drums still
in their ears and in their blood; some of them sought the fraternity
booths; some of the girls retired to their dressing-room, perhaps to
have another drink; many of the men went outside for a smoke and to tip
a flask upward. Through the noise, the sex-madness, the half-drunken
dancers, moved men and women quite sober, the men vainly trying to
shield the women from contact with any one who was drunk. There was an
angry light in those men's eyes, but most of them said nothing, merely
kept close to their partners, ready to defend them from any too
assertive friend.
Public-domain text, read in full here on John Shaqi.
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