The Plattner Story, and OthersWells, H. G. (Herbert George)
Science
The Plattner Story, and Others
Wells, H. G. (Herbert George)
Great Britain -- Social life and customs -- Fiction; Science fiction; Short stories, English
"Good-bye, Mr. Cummins," she said.
By a violent effort I controlled myself and touched her hand. I tried
to say some word of explanation to her. She looked into my working face
and winced. "I _must_ do it," she said hopelessly. Then she turned from
me and began walking rapidly down the gallery.
Heavens! How the human agony cried within me! I loved Delia. But
nothing found expression--I was already too deeply crusted with my
acquired self.
"Good-baye!" I said at last, watching her retreating figure. How I
hated myself for doing it! After she had vanished, I repeated in a
dreamy way, "Good-baye!" looking hopelessly round me. Then, with a kind
of heart-broken cry, I shook my clenched fists in the air, staggered to
the pedestal of a winged figure, buried my face in my arms, and made my
shoulders heave. Something within me said "Ass!" as I did so. (I had
the greatest difficulty in persuading the Museum policeman, who was
attracted by my cry of agony, that I was not intoxicated, but merely
suffering from a transient indisposition.)
But even this great sorrow has not availed to save me from my fate.
I see it, everyone sees it; I grow more "theatrical" every day.
And no one could be more painfully aware of the pungent silliness
of theatrical ways. The quiet, nervous, but pleasing E. C. Cummins
vanishes. I cannot save him. I am driven like a dead leaf before the
winds of March. My tailor even enters into the spirit of my disorder.
He has a peculiar sense of what is fitting. I tried to get a dull grey
suit from him this spring, and he foisted a brilliant blue upon me,
and I see he has put braid down the sides of my new dress trousers. My
hairdresser insists upon giving me a "wave."
I am beginning to associate with actors. I detest them, but it is only
in their company that I can feel I am not glaringly conspicuous. Their
talk infects me. I notice a growing tendency to dramatic brevity, to
dashes and pauses in my style, to a punctuation of bows and attitudes.
Barnaby has remarked it too. I offended Wembly by calling him "Dear
Boy" yesterday. I dread the end, but I cannot escape from it.
Public-domain text, read in full here on John Shaqi.
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