Surprise is connected with fear, and for this reason is in itself a
disagreeable sensation; yet, on account of its strong psychophysical
effect—namely, the shock which it produces—it becomes highly enjoyable
in play, and displays, perhaps more clearly than any of the other
cases, the charm of strong stimuli. Children indulge very early in play
involving the shock of surprise, and its effectiveness as a means of
giving pleasure becomes more and more intense. Darwin relates that his
son, from the one hundred and tenth day, was wildly delighted when a
handkerchief was laid over his face and then suddenly withdrawn, or
when his father’s face was hidden and revealed in this way. “He then
uttered a little noise, which was an incipient laugh.” I referred
to this in speaking of expectancy, which, indeed, goes hand in hand
with surprise, however opposed they may appear, since surprise which
is entirely unexpected is of course no part of play. There is always
playful experimentation with the shock when we expect it, but do not
know when or in what form it will appear. It is just this combination
which makes the emotional effect of surprise greater than it would
otherwise be. When, for example, we hold a lighted match over a lamp,
we are the more startled by the slight explosion because we have
attentively awaited it; and there are many games for children in which
the combined effect of expectation and surprise furnish an essential
part of the pleasure, such as those where persons or objects are
hidden. The excitement, too, which is caused by loud and sudden sounds
is of the same character. M. Reischle, in his fine paper on child’s
play, distinguishes a special group of expectation and surprise games,
and points out that the little ones peek while their comrades are
hiding, and yet are overjoyed to find them, and apparently surprised.
In many throwing and catching games both elements are influential in
heightening the stimulus, and special plays grow out of them, such
as “Hide-and-Seek,” “Blind-Man’s Buff,” “Drop the Handkerchief,” as
well as many games of chance. Indeed, in the last named the stimulus
of surprise is often of special importance,[348] and one of the chief
sources of pleasure is the tension of expectancy followed by the
sudden decision on the fall of dice.
Public-domain text, read in full here on John Shaqi.
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