Other rolling toys, such as wheels and hoops, whose motion is kept
up by means of continuous striking, offer a very different kind of
amusement. The violent running, combining as it does something of the
zest of the chase with the pleasure of overcoming a difficulty, forms
a delightful compound with the enjoyment of the rolling as such. The
Greeks called the hoop τροχός or κρίκος. They were rather large, and
made of metal studded with tinkling bells and propelled by a metal
rod. Ganymede is often represented with such a hoop. The Romans had
an extraordinary fondness for this sport, and Ovid, who refers to a
teacher of the art of hoop rolling, says in one of his enumerations of
the spring games:
“Usus equi nunc est, levibus nunc luditur armis,
Nunc pila, nunc celeri volvitur orbe trochus.”
Fouquières cites a passage from Martial about youths rolling hoops on
frozen streams. Another play with wheels consists of whirling a small
one on a string passed through its axis, a practice both ancient and
modern; and, too, there is the beautiful sport of rolling blazing
wheels downhill at night, as is the custom with many mountaineers.
Here, of course, the element of pursuit is wanting.
Single discs, such as coins, are used for the spinning of which we
have already spoken. Sometimes it was spun horizontally on a peg fixed
at its axis, forming the toy called by the Greeks στρόβιλος, and by
the Romans turben. But much more important is the conical top, whose
dance can be indefinitely prolonged by skilful whipping. There are
few plays which foster the illusion of our having a living thing at
our pleasure as effectually as this does. H. Wagner tells of a small
boy who liked to keep several tops spinning together. “Each had its
name, and he talked to them all. The one which spun longest was his
favourite, and he tested them by setting them all in violent motion
and leaving them while he ran down in the yard. When he came back he
rejoiced over those that were still spinning.”[245] This is a good deal
like a little girl’s behaviour to her dolls, though the boy’s relation
to his toys is rather that of a teacher than parent. This difference
comes out strongly when the children play with a puppy: the girl wants
to wash and pet it, while the boy will teach it tricks. The widespread
popularity of the top is an indication of its importance, and its
variety of names among the ancients witnesses to its high favour with
them (βέμβηξ, βέβιξ, ῥόμβος, στρόμβος, etc.). It was found in the third
city in the Trojan excavations. Boys threw their tops in the courts
and streets by a leather string, and accompanied with a monotonous cry
τὴν κατὰ σαυτὸν ἔλα, or στρέφου, μὴ ἴστασαι.[246] Tibullus likens
his lovesick heart to a top “which a restless child spins on smooth
ground with a jerk of the cord.”[247] Its German names are even more
numerous than are the antique (Ganzknopf, Topf, Topsch, Triesel,
Drudelmadam, Habergais, Krüselding, Schnurrprusel, etc.). In early
Public-domain text, read in full here on John Shaqi.
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