It is easy to see how, with children, throwing at a mark naturally
follows simple forward throwing. Perhaps we get a hint of how this
comes about from their intentional throwing of objects to the floor
with a view to producing a noise, for the floor is then in some sense a
goal, though there is as yet no specialization. From my own observation
I should say that the first suggestion of the possibility of striking
intentionally often arises from the pretence of some older person
that he is badly hurt by the falling or rolling object, whereupon the
heartless little creature at once tries to repeat the attack, this
time with malice aforethought. Further development of this capacity is
rather hindered than furthered by the child’s learning to run about;
indeed, it is commonly the sixth year or later before he begins to be
interested in such games, a manifold variety of which is handed down by
tradition.
In this case, too, I can but touch upon a few principal groups, and
illustrate them with examples chosen from the wealth of material at
hand. In many games the object is to hit a comrade with a ball. In
one very popular at Heidelberg all the boys’ caps are placed in a
straight row on the ground, and the chosen king throws his ball on one
of them, whereupon its owner must instantly seize the ball and hurl it
after his fleeing comrades. This comes very near to fighting play, as
does another game, which takes the form of pelting some object set or
hung up for the purpose, or something in motion.[258] Many games are
founded on this principle, from throwing stones at a flowerpot or fruit
hanging on a tree up to tenpins, which has been introduced of late into
Egypt, and shooting at a target with blowpipe, lance, bow, crossbow,
or rifle. An early developed, though, it is true, not purely playful,
form of this sport is set forth in a beautiful Greek epigram called
the Plaint of the Fruit Tree, which may be thus paraphrased: “Truly
they have planted me here by the roadside as an unhappy target for all
the playful boys to throw stones at! And how the destroying shower has
rained down and torn my blooming crown and broken all my branches!
The tree can be of no more use to you with all its harvest ruined.
Alas! here have I, most miserable one, borne all this fruit to my own
undoing.”[259]
Public-domain text, read in full here on John Shaqi.
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