Art objects -- Collectors and collecting; Collectors and collecting
Time has crumbled many a granite monument erected to the memory of
monarchs of early Egyptian dynasties, but a tiny scent-bottle of yellow
glass, with the name Amenophis worked upon it in blue, has come down to
us from the Golden Age of the Pharaohs. King Amenophis little guessed
that his fragile gift at life’s parting from his Queen Thi would survive
the vicissitudes of the unguessed ages that have treated the pedestal of
his Colossus at Thebes with such scant courtesy. Yet here we may hold it
in the palm of a hand, a lovely trinket whose fragility has defied the
boast of bronze or the strength of stone! As Pliny says, it is no easy
matter to give novelty to old subjects, authority to new, to impart
lustre to rusty things, light to the obscure and mysterious. Yet he who
writes of antiques and curios may find the subject of old glass so wide
a field in which to browse that its restraints seem few indeed and its
interest of broad appeal.
The millefiori glass of yesterday and to-day offers to the collector a
fascinating study. It is the “Glass of a Thousand Flowers,” a pretty
name the Italians gave it centuries ago--_mille_, a thousand, and
_fiori_, flowers. Don’t you remember when you were little, very little,
the round, heavy glass paper-weights into which you could look like a
crystal-gazer and find mysteriously embedded flower-like forms of
colored glass? How you puzzled grandfather’s head, too, when you asked
him questions about it. These old millefiori paper-weights--long out of
fashion, alas!--were bought on faith as curiosities, and only the
sophisticated age that decreed such marvels unfitting the dignity of
maturity relegated them to hiding-places now for the most part
forgotten. The wonderful striated marbles, the attractive “glassies” of
our own Golden Age, maintained with us the tradition of attachment; and
now we have once more begun to display the paper-weights of the Thousand
Flowers, and antiquarians are doing such brisk business in them that
manufacturers are almost encouraged to place on the market again these
interesting objects of millefiori glass.
Public-domain text, read in full here on John Shaqi.
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