Art objects -- Collectors and collecting; Collectors and collecting
This piece of furniture is also derived from the French. Two
Barjier chairs of proper construction, with a stool in the middle,
form the Duchesse, which is allotted to large and spacious
ante-rooms; the covering may be various as also the framework, and
made from six to eight feet long. The stuffing may be of the round
manner as shown in the drawing, or low-stuffed with a loose squab
or bordered cushion fitted to each part; with a duplicate linen
cover to cover the whole, or each part separately. Confidantes,
sofas and chairs may be stuffed in the same manner.
In the rooms of the Antiquarian Society, Concord, Massachusetts, is a
sofa which once belonged to Samuel Barron and which shows mixed
Hepplewhite and Sheraton characteristics.
In Girard College, Philadelphia, one may see a Sheraton sofa that once
belonged to Stephen Girard, the founder. Sheraton himself describes one
of his own sofas as follows:
A sofa done in white and gold, or japanned. Four loose cushions are
placed at the back. They serve at times for bolsters, being placed
against the arms to loll against. The seat is stuffed up in front
about three inches high above the rail, denoted by the figure of a
sprig running lengthwise; all above that is a squab, which may be
taken off occasionally.
Sheraton also tells of the Turkey sofa “introduced into the most
fashionable homes as a novelty, an invention of the Turkish mode of
sitting. They are, therefore, made very low, scarcely exceeding a foot
to the upper side of the cushion. The frame may be made of beach, and
must be webbed and strained with canvas to support the cushions.”
It would be interesting to go on dwelling upon a subject so rich in
lore, but I fear, so little studied. The author has generously refrained
from the harrowing mention of haircloth, as he imagines there is little
he could add to a subject that all readers are probably too familiar
with already.
CHAPTER XX
SHEFFIELD PLATE
Every one is familiar with the name “Sheffield Plate,” and many have a
vague idea as to what, superficially, marks its distinction; there are
fewer, however, who know its story. It is interesting. A few years prior
to the middle of the eighteenth century--1742 is the generally accepted
date--there lived in a little house on Sycamore Hill in the English town
of Sheffield an ingenious mechanic, Thomas Bolsover by name. His knife,
which had a handle made partly of silver and partly of copper, had been
broken, and one day in a leisure moment Bolsover took it to his attic
room to repair it at the little work-bench he had fixed up there. In the
course of this operation an unusual accident brought about the fusing of
the copper and silver parts of the knife-handle. To Bolsover’s surprise
he found the metals had cohered, forming a copper basis with a surface
of silver.
Public-domain text, read in full here on John Shaqi.
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