Art objects -- Collectors and collecting; Collectors and collecting
I have often wondered why we of to-day have almost forgotten about
Master Bernard, Master Bernard whom the readers of our grandmothers’
generation immortalized. I suppose the cultivated virtue of novelty
which in this restless era demands incessant changing of school-books
from term to term failed to bring old Palissy along with it. In earlier
days it was part and parcel of one’s polite education to know something
of Master Bernard, at least to know that there had once lived such a
person. In those less curriculumed yesterdays the story of Palissy the
Potter was always a welcome one. Perhaps we ourselves have merely
overlooked the matter, and so I make here this venture, believing time
has intended no slight to Master Bernard’s memory.
How well I recall a certain lower shelf in a library which regaled a
rainy autumn day in my tender years! There were treasures here
convenient to the hand of one aged nine, treasures fitting the
advancement of learning laboriously attained under the unflinching
persistence of an all-too-faithful governess. In this sanctuary I
chanced in childhood to come upon a tiny octavo bound in blue, stamped
with gilt morning-glories, morning-glories such as I have always
associated, for some unexplained reason, with the long-late Prince
Albert and the equally long-late Lucy Larcom! Within the covers of this
little book was a highly embellished frontispiece, hand-stenciled in
colors of saffron, scarlet, and azure, with an overwhelmingly deep dash
of bottle-green. I imagine this volume emerged from the press at a time
when aniline dyes self-proclaimed their advent to the mediocrity of the
day. Beyond that I do not venture a date.
This giddy frontispiece seemed, even in my childish eyes, profanely gay
for the subject it presented. Here was depicted the figure of a bearded
man in foreign dress, visage forlorn, person unkempt. The artist
pictured him in the act of destroying a quantity of furniture of a sort
that might have given distinction to an early Victorian parlor.
Just what seemed so terrifying about the situation I do not know, unless
it was that, as I distinctly recall, I myself had occasionally been
regarded as somewhat destructive in the furniture line--as when, quite
unintentionally, I scratched my great-aunt’s mahogany sofa in making a
desperate attempt not to slide off its hair-covered plateau at a moment
when the peculiarly poignant texture of this revered fabric had caused
me unwittingly to squirm about in manœvering for a less irritating bit
of the area. From that time on a certain Miss Solander, occupying the
important post of governess, could not adjust her perspective to
considering me other than a menace to mahogany in the front of the
house or black walnut in the rear.
Public-domain text, read in full here on John Shaqi.
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