"Flowers," says Ruskin, "seem intended for the solace of ordinary
humanity. Children love them; quiet, tender, contented, ordinary people
love them as they grow; luxurious and disorderly people rejoice in them
gathered. They are the cottager's treasure; and in the crowded town mark,
as with a little broken fragment of rainbow the windows of the workers in
whose heart rest the covenant of peace." But in the crowded street, or
even in the formal garden, flowers always seem, to me at least, as if they
were pining for the freedom of the woods and fields, where they can live
and grow as they please.
There are flowers for almost all seasons and all places. Flowers for
spring, summer, and autumn, while even in the very depth of winter here
and there one makes its appearance. There are flowers of the fields and
woods and hedgerows, of the seashore and the lake's margin, of the
mountain-side up to the very edge of the eternal snow.
And what an infinite variety they present.
"Daffodils,
That come before the swallow dares, and take
The winds of March with beauty; violets, dim,
But sweeter than the lids of Juno's eyes,
Or Cytherea's breath; pale primroses,
That die unmarried, ere they can behold
Bright Phoebus in his strength, a malady
Most incident to maids; bold oxlips and
The crown imperial; lilies of all kinds,
The flower-de-luce being one." [5]
Nor are they mere delights to the eye; they are full of mystery and
suggestions. They almost seem like enchanted princesses waiting for some
princely deliverer. Wordsworth tells us that
"To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears."
Every color again, every variety of form, has some purpose and
explanation.
And yet, lovely as Flowers are, Leaves add even more to the Beauty of
Nature. Trees in our northern latitudes seldom own large flowers; and
though of course there are notable exceptions, such as the Horse-chestnut,
still even in these cases the flowers live only a few days, while the
leaves last for months. Every tree indeed is a picture in itself: The
gnarled and rugged Oak, the symbol and source of our navy, sacred to the
memory of the Druids, the type of strength, the sovereign of British
trees; the Chestnut, with its beautiful, tapering, and rich green, glossy
leaves, its delicious fruit, and to the durability of which we owe the
grand and historic roof of Westminster Abbey.
The Birch is the queen of trees, with her feathery foliage, scarcely
visible in spring but turning to leaves of gold in autumn; the pendulous
twigs tinged with purple, and silver stems so brilliantly marked with
black and white.
The Elm forms grand masses of foliage which turn a beautiful golden yellow
in autumn; and the Black Poplar with its perpendicular leaves, rustling
and trembling with every breath of wind, towers over most other forest
trees.
Public-domain text, read in full here on John Shaqi.
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