But the storm is soon over. The clouds break, the rain stops, the sun
shines once more, the hills opposite come out again. They are divided now
not only into fields and woods, but into sunshine and shadow. The sky
clears, and as the sun begins to descend westwards the sea becomes one
beautiful clear uniform azure, changing again soon to pale blue in front
and dark violet beyond: and once more as clouds begin to gather again,
into an archipelago of bright blue sea and deep islands of ultramarine. As
the sun travels westward, the opposite hills change again. They scarcely
seem like the same country. What was in sun is now in shade, and what was
in shade now lies bright in the sunshine. The sea once more becomes a
uniform solid blue, only flecked in places by scuds of wind, and becoming
paler towards evening as the sun sinks, the cliffs which catch his setting
rays losing their deep color and in some places looking almost as white as
chalk, while at sunset they light up again for a moment with a golden
glow, the sea at the same time sinking to a cold gray. But soon the hills
grow cold too, Golden Cap holding out bravely to the last, and the shades
of evening settle over cliff and wood, cornfield and meadow.
These are but a part, and a very small part, of the changes of a single
day. And scarce any two days are alike. At times a sea-fog covers
everything. Again the sea which sleeps to-day so peacefully sometimes
rages, and the very existence of the bay itself bears witness to its
force.
The night, again, varies like the day. Sometimes shrouded by a canopy of
darkness, sometimes lit up by millions of brilliant worlds, sometimes
bathed in the light of a moon, which never retains the same form for two
nights together.
If Lakes are less grand than the sea, they are in some respects even more
lovely. The seashore is comparatively bare. The banks of Lakes are often
richly clothed with vegetation which comes close down to the water's edge,
sometimes hanging even into the water itself. They are often studded with
well-wooded islands. They are sometimes fringed with green meadows,
sometimes bounded by rocky promontories rising directly from comparatively
deep water, while the calm bright surface is often fretted by a delicate
pattern of interlacing ripples, or reflects a second, softened, and
inverted landscape.
To water again we owe the marvellous spectacle of the rainbow--"God's bow
in the clouds." It is indeed truly a heavenly messenger, and so unlike
anything else that it scarcely seems to belong to this world.
Many things are colored, but the rainbow seems to be color itself.
Public-domain text, read in full here on John Shaqi.
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