The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-givingEllwanger, George H. (George Herman)
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The Pleasures of the Table: An Account of Gastronomy from Ancient Days to Present Times. With a History of Its Literature, Schools, and Most Distinguished Artists; Together With Some Special Recipes, and Views Concerning the Aesthetics of Dinners and Dinner-giving
Ellwanger, George H. (George Herman)
Gastronomy
It may be subjoined to the many pertinent observations respecting
the duties of the entertainer, that so far as it is within his power
he should consider his guests individually, weighing their personal
likes and dislikes to such extent as may comport with the general
welfare. The first thing he should recognise as his imperative duty
is to please. Yet while a surprise in the components of the dinner
is to be desired, the choice of dishes should nevertheless be made
with reference to the taste of the majority, in distinction to
one's own preference or the predilections of the few. With the stiff
and formal dinner, or with large dinner-parties, fine discrimination
is less practicable, these functions being necessarily a burden to
all concerned. _Les dîners fins se font en petits comités_; and,
equally, in informal gatherings. The deft hand and nice judgment
may be thoroughly manifested only among intimate friends, where the
personality of the master may guide and direct, free from the trammels
of conventionality. Then that false etiquette which prescribes that the
entertainer should never rise from the table may be waived; and where
he may enhance the pleasure of his friends by an impromptu visit to the
wine-cellar in pursuit of some special vintage that the moment calls
for, or carry out a happy thought that the occasion may create, it is
his bounden duty to perform for himself what others may not perform as
well, or perform not at all. With the absence of formality, the wit may
rise to the full height of his genius, the humorist may shine, and the
accomplished and graceful liar draw a treble measure of delight from
the font of a genial and exuberant fancy.
[Illustration: LA TABLE
Frontispiece of the Second Canto of "La Conversation" of the Abbé
Délille, 1822]
Public-domain text, read in full here on John Shaqi.
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