Perplexed, they excused themselves and descended the slope, leaving
Joan standing there in front of the assay office, and enjoying the
picture of the canyon, with its border of working buildings on one
side, and its scattered cabins, mess- and bunk-houses on the other,
the huge waste dump towering away from the hoist, and filling the head
of the canyon, and the sparkle of the stream below.
"It's for you, all right," the packer insisted. "The Wells Fargo agent
turned it over to me down in Goldpan, and said the money had been sent
to pay me for bringin' it up here. I don't know what it is. It's
stones of some kind."
Still more perplexed, the partners ordered him to take his pack train
around to the storage house, and Bill led the way while his partner
climbed back up the hill, and rejoined Joan. He was showing her some
of the assay slips from the green lead when they heard a loud call
from the yard. It was Bill, beckoning. They went across to meet him.
One of the hitches had been thrown, and the other burros stood
expectantly waiting to be relieved of their burdens.
"It's a tombstone," Bill said gravely. "It's for Bell's grave. The
express receipt shows that it was sent by----" he hesitated for a
moment, as if studying whether to use one name, or another, and then
concluded--"The Lily."
He pointed to a section of granite at their feet, and on its polished
surface they read:
Under this granite sleeps Bells Park, an engineer. Murdered in
defense of his employers. Faithful when living, and faithful when
dead, to the Croix d'Or and all those principles which make a
worthy man.
A sudden, overwhelming sadness seemed to descend upon them. Bill
turned abruptly, and stepped across toward the boiler-house. The
whistle sent out a long-drawn, booming call--the alarm signal for the
mine. In all the stress of the Croix d'Or it was the first time that
note had ever been used save in drill. The bells of the hoist arose
into a jangling clamor. They heard the wheels of the cage whirl as it
shot downward, the excited exclamations of men ascending, some of them
with tools in hand, the running of a man's feet, emerging from the
blacksmith's tunnel, the shout of the smith to his helper, and the
labored running of the cook and waiter across the cinders of the yard.
Bill slowly returned toward them.
"We'll have to get you to land it up there," he said, waving his arm
toward the cross high above. "Give us a hand here, will you? and
we'll throw this hitch again."
Public-domain text, read in full here on John Shaqi.
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