The Pocket R.L.S.: Being Favourite Passages from the Works of StevensonStevenson, Robert Louis
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The Pocket R.L.S.: Being Favourite Passages from the Works of Stevenson
Stevenson, Robert Louis
Stevenson, Robert Louis, 1850-1894 -- Quotations
Conclusions, indeed, are not often reached by talk any more than by
private thinking. That is not the profit. The profit is in the exercise,
and above all in the experience; for when we reason at large on any
subject, we review our state and history in life. From time to time,
however, and specially, I think, in talking art, talk becomes effective,
conquering like war, widening the boundaries of knowledge like an
exploration.
*****
Natural talk, like ploughing, should turn up a large surface of life,
rather than dig mines into geological strata. Masses of experience,
anecdote, incident, cross-lights, quotation, historical instances, the
whole flotsam and jetsam of two minds forced in and in upon the matter
in hand from every point of the compass, and from every degree of mental
elevation and abasement--these are the material with which talk is
fortified, the food on which the talkers thrive. Such argument as is
proper to the exercise should still be brief and seizing. Talk should
proceed by instances; by the apposite, not the expository. It should
keep close along the lines of humanity, near the bosoms and businesses
of men, at the level where history, fiction, and experience intersect
and illuminate each other.
*****
There can be no fairer ambition than to excel in talk; to be affable,
gay, ready, clear and welcome; to have a fact, a thought, or an
illustration, pat to every subject; and not only to cheer the flight of
time among our intimates, but bear our part in that great international
congress, always sitting, where public wrongs are first declared, public
errors first corrected, and the course of public opinion shaped, day by
day, a little nearer to the right. No measure comes before Parliament
but it has been long ago prepared by the grand jury of the talkers; no
book is written that has not been largely composed by their assistance.
Literature in many of its branches is no other than the shadow of
good talk; but the imitation falls far short of the original in life,
freedom, and effect. There are always two to a talk, giving and
taking, comparing experience and according conclusions. Talk is fluid,
tentative, continually ‘in further search and progress’; while written
words remain fixed, become idols even to the writer, found wooden
dogmatisms, and preserve flies of obvious error in the amber of the
truth. Last and chief, while literature, gagged with linsey-woolsey, can
only deal with a fraction of the life of man, talk goes fancy free and
may call a spade a spade. Talk has none of the freezing immunities of
the pulpit. It cannot, even if it would, become merely aesthetic or
merely classical like literature. A jest intervenes, the solemn humbug
is dissolved in laughter, and speech runs forth out of the contemporary
groove into the open fields of nature, cheery and cheering, like
schoolboys out of school. And it is in talk alone that we can learn our
period and ourselves. In short, the first duty of a man is to speak;
Public-domain text, read in full here on John Shaqi.
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