The Poems and Prose of Ernest Dowson, With a Memoir by Arthur SymonsDowson, Ernest Christopher
General
The Poems and Prose of Ernest Dowson, With a Memoir by Arthur Symons
Dowson, Ernest Christopher
Authors, English; English poetry
I was very fond of Ninette, certainly. I should have died in those
days if it had not been for her, and sometimes I am surprised at the
tenacity of my tenderness for her. As much as I ever cared for
anything except my art, I cared for Ninette. But still she was never
the first with me, as I must have been with her. I was often fretful
and discontented, sometimes, I fear, ready to reproach her for not
taking more pains to alleviate our misery, but all the time of our
partnership Ninette never gave me a cross word. There was something
maternal about her affection, which withstood all ungratefulness. She
was always ready to console me when I was miserable, and throw her
arms round me and kiss me when I was cold; and many a time, I am sure,
when the day's earnings had been scanty, the little girl must have
gone to sleep hungry, that I might not be stinted in my supper.
One of my grievances, and that the sorest of all, was the loss of my
beloved fiddle. This, for all her goodwill, Ninette was powerless to
allay.
'Dear Anton,' she said, 'do not mind about it. I earn enough for both
with my organ, and some day we shall save enough to buy thee a new
fiddle. When we are together, and have got food and charcoal, what
does it matter about an old fiddle? Come, eat thy supper, Anton, and I
will light the fire. Never mind, dear Anton.' And she laid her soft
little cheek against mine with a pleading look.
'Don't,' I cried, pushing her away, 'you can't understand, Ninette;
you can only grind an organ--just four tunes, always the same. But I
loved my fiddle, loved it! loved it!' I cried passionately. 'It could
talk to me, Ninette, and tell me beautiful, new things, always
beautiful, and always new. Oh, Ninette, I shall die if I cannot play!'
It was always the same cry, and Ninette, if she could not understand,
and was secretly a little jealous, was as distressed as I was; but
what could she do?
Eventually, I got my violin, and it was Ninette who gave it me. The
manner of its acquirement was in this wise.
Ninette would sometimes invest some of her savings in violets, which
she divided with me, and made into nosegays for us to sell in the
streets at night.
Theatre doors and frequented placed on the Boulevards were our
favorite spots.
One night we had taken up our station outside the Opera, when a
gentleman stopped on his way in, and asked Ninette for a button-hole.
He was in evening dress and in a great hurry.
'How much?' he asked shortly.
'Ten _sous_, M'sieu,' said exorbitant little Ninette, expecting to get
two at the most.
The gentleman drew out some coins hastily and selected a bunch from
the basket.
'Here is a franc,' he said, 'I cannot wait for change,' and putting a
coin into Ninette's hand he turned into the theatre.
Ninette ran towards me with her eyes gleaming; she held up the piece
of money exultantly.
Public-domain text, read in full here on John Shaqi.
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