Yes! in the noon of that Elysian clime,
Beyond the sphere of anguish, death, or time;
Where mind’s bright eye, with renovated fire,
Shall beam on glories never to expire;
Oh! there th’ illumined soul may fondly trust,
More pure, more perfect, rising from the dust,
Those mild affections, whose consoling light
Sheds the soft moonbeam on terrestrial night,
Sublimed, ennobled, shall for ever glow,
Exalting rapture--not assuaging woe!
TO MR EDWARDS, THE HARPER OF CONWAY.
[Some of the happiest days the young poetess ever passed were during
occasional visits to some friends at Conway, where the charms of the
scenery, combining all that is most beautiful in wood, water, and
ruin, are sufficient to inspire the most prosaic temperament with a
certain degree of enthusiasm; and it may therefore well be supposed
how fervently a soul constituted like hers would worship Nature at so
fitting a shrine. With that happy versatility which was at all times a
leading characteristic of her mind, she would now enter with child-like
playfulness into the enjoyments of a mountain scramble, or a pic-nic
water party, the gayest of the merry band, of whom some are now, like
herself, laid low, some far away in foreign lands, some changed by
sorrow, and all by time; and then, in graver mood, dream away hours of
pensive contemplation amidst the gray ruins of that noblest of Welsh
castles, standing, as it then did, in solitary grandeur, unapproached
by bridge or causeway, flinging its broad shadow across the tributary
waves which washed its regal walls. These lovely scenes never ceased
to retain their hold over the imagination of her whose youthful muse
had so often celebrated their praises. Her peculiar admiration of Mrs
Joanna Baillie’s play of _Ethwald_ was always pleasingly associated
with the recollection of her having first read it amidst the ruins
of Conway Castle. At Conway, too, she first made acquaintance with
the lively and graphic Chronicles of the chivalrous Froissart, whose
inspiring pages never lost their place in her favour. Her own little
poem, “The Ruin and its Flowers,” which will be found amongst the
earlier pieces in the present collection, was written on an excursion
to the old fortress of Dyganwy, the remains of which are situated on
a bold promontory near the entrance of the river Conway; and whose
ivied walls, now fast mouldering into oblivion, once bore their part
bravely in the defence of Wales; and are further endeared to the lovers
of song and tradition as having echoed the complaints of the captive
Elphin, and resounded to the harp of Taliesin. A scarcely degenerate
representative of that gifted bard[3] had, at the time now alluded to,
his appropriate dwelling-place at Conway; but his strains have long
been silenced, and there now remain few, indeed, on whom the Druidical
mantle has fallen so worthily. In the days when his playing was heard
by one so fitted to enjoy its originality and beauty,
Public-domain text, read in full here on John Shaqi.
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