_The Baite_, are purely literary in origin; others present the obverse side of the passion portrayed in the first group, its happier moments. But one must believe that those in which ardour is combined with elevation and delicacy of feeling were addressed to Anne More before and after their marriage. In the third and smallest group, which includes, however, such fine examples of his subtler moods as _The Funerall_, _The Blossome_, _The Primrose_, Donne adopts the tone (as sincerely as was generally the case) of the Petrarchian lover whose mistress's coldness has slain him or provokes his passionate protestations. Some of these must, I think, have been written after Donne's marriage. The titles one or two bear connect them with Mrs. Herbert and the Countess of Bedford. The two most enigmatical poems in the _Songs and Sonets_ are _Twicknam Garden_ and _A nocturnall upon S. Lucies day_. Yet the very names 'Twicknam Garden' and 'S. Lucies day' suggest a reference to the Countess of Bedford. It is possible that the last was written when Lady Bedford was ill in December, 1612? 'My Lady Bedford last night about one of the clock was suddenly, and has continued ever since, speechless, and is past all hopes though yet alive,' writes the Earl of Dorset on November 23, 1612. It is probable that on December 13 she was still in a critical condition, supposing the illness to have been that common complaint of an age of bad drains, namely typhoid fever, and Donne may have written in anticipation of her death. But the suggestion is hazardous. The third verse speaks a stronger language than that of Petrarchian adoration. Still it is difficult for us to estimate aright all that was allowed to a 'servant' under the accepted convention. It is noteworthy that the poem is not included in any known MS. collection made before 1630. The Countess died in 1627. PAGE =7=. THE GOOD-MORROW.