The Poems of John Donne, Volume 2 (of 2): Edited from the Old Editions and Numerous ManuscriptsDonne, John
General
The Poems of John Donne, Volume 2 (of 2): Edited from the Old Editions and Numerous Manuscripts
Donne, John
English poetry -- Early modern, 1500-1700
Donne as usual is pedantically accurate in the details of his
metaphor. The canonized lovers are invoked as saints, i.e. _their
prayers are requested_. They are asked to beg from above a pattern of
their love for those below. Of prayers to saints Donne speaks in one
of his _Letters_, p. 181: 'I see not how I can admit that circuit of
sending them' (i.e. letters) 'to you to be sent hither; that seems a
kinde of praying to Saints, to whom God must tell first, that such a
man prays to them to pray to him.'
l. 40. The 'contract' of the printed editions is doubtless correct,
despite the preference of the MSS. for 'extract'. This goes in several
MSS. with other errors which show confusion. _D_, _H49_, _Lec_ read
'and drawe', a bad rhyme; and _A18_, _N_, _TCC_ (the verse is lost in
_TCD_) drop 'soule', reading 'the world extract'. The reading
'extract' is due to what Dr. Moore calls 'the extraordinary
short-sightedness of the copyists in respect of a construction. Their
vision seems often to be bounded by a single line.' To 'extract the
soul' of things is a not uncommon phrase with Donne. Here it does not
suit the thought which is coming so well as 'contract': 'As the spirit
and soule of the whole booke of Psalmes is contracted into this
psalme, so is the spirit and soule of this whole psalme contracted
into this verse.' _Sermons_ 80. 66. 663. (Psal. lxiii. 7. _Because
thou hast beene my helpe, Therefore in the shadow of thy wings will I
rejoice._)
l. 45. _A patterne of your love._ The 'of our love' of 1633 _might_
mean 'for our love', but it is clear from the manner in which
this stanza is given in _D_ that the copyist has misunderstood the
construction--'our love' follows from the assumption that 'Countries,
Townes, Courts' is the subject to 'Beg'. The colon and the capital
letter would not make such a view impossible, as they might be given a
merely emphasizing value; or if regarded as imperative the 'Beg' might
be taken as in the third person: 'Countries, Townes, Courts--let them
beg,' &c. Compare:
The God of Souldiers:
With the consent of supreame Jove, informe
Thy thoughts with Noblenesse.
Shakespeare, _Cor._ V. iii. 70-2 (Simpson, _Shakespearian
Punctuation_, p. 98).
But clearly here 'Beg' is in the second person plural, predicate to
'You whom reverend love', and 'your love' is the right reading.
PAGE =16=. THE TRIPLE FOOLE.
He is trebly a fool because (1) he loves, (2) he expresses his love in
verse, (3) he thereby enables some one to set the verse to music and
by singing it to re-awaken the passion which composition had lulled to
sleep.
PAGE =17=. LOVERS INFINITENESS.
Public-domain text, read in full here on John Shaqi.
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