The Poems of John Donne, Volume 2 (of 2): Edited from the Old Editions and Numerous ManuscriptsDonne, John
General
The Poems of John Donne, Volume 2 (of 2): Edited from the Old Editions and Numerous Manuscripts
Donne, John
English poetry -- Early modern, 1500-1700
ll. 29-32. _Xerxes strange Lydian love, &c._ Herodotus (vii. 31) tells
how Xerxes, on his march to Greece, found in Lydia a plane-tree which
for its beauty ([Greek: kalleos heineka]) he decked with gold
ornaments, and entrusted to a guardian. Aelian, _Variae Historiae_,
ii. 14, _De platano Xerxe amato_, attributes his admiration to its
size: [Greek: en Lydia goun, phasin, idôn phyton eumegethes platanou,]
&c. In the Latin translation in Hercler's edition (Firmin Didot, 1858)
size is taken as equivalent to height, 'quum vidisset proceram
platanum,' but the reference is more probably to extent. Pliny, _N.
H._ 12. 1-3, has much to say of the size of certain planes under which
companies of men camped and slept.
The quotation from Aelian confirms the _1633_ reading, 'none being so
large as shee,' which indeed is confirmed by the lines that follow.
The question of age is left open. The reference to' barrennesse' I do
not understand.
PAGE =94=, l. 47. _naturall lation._ This, the reading of the
great majority of the MSS., is obviously correct and explains the
vacillation of the editions. The word was rare but quite good. The
O.E.D. quotes: 'I mean lation or Local-motion from one place to
another.' Fotherby (1619);
Make me the straight and oblique lines,
The motions, lations, and the signs.
(Herrick, _Hesper._ 64);
and other examples as late as 1690. The term was specially
astronomical, as here. The 'motion natural' of _1633_ is an unusual
order in Donne; the 'natural station' of _1635-69_ is the opposite
of motion. The first was doubtless an intentional alteration by the
editor, which the printer took in at the wrong place; the second a
misreading of 'lation'.
PAGE =95=. ELEGIE X.
The title of this Elegy, _The Dream_, was given it in _1635_, perhaps
wrongly. _S96_ seems to come nearer with _Picture_. The 'Image of
her whom I love', addressed in the first eight lines, seems to be a
picture. When that is gone and reason with it, fantasy and dreams come
to the lover's aid (ll. 9-20). But the tenor of the poem is somewhat
obscure; the picture is addressed in terms that could hardly be
strengthened if the lady herself were present.
l. 26. _Mad with much heart, &c._ Aristotle made the heart the source
of all 'the actions of life and sense'. Galen transferred these to the
brain. See note to p. 99, l. 100.
PAGE =96=. ELEGIE XI.
Public-domain text, read in full here on John Shaqi.
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