"I had, when very young, read the poetry of Freneau, and as we instinctively become attached to the writers who first captivate our imaginations, it was with much zest that I formed a personal acquaintance with the revolutionary bard. He was at that time about seventy-six years old, when he first introduced himself to me in my library. I gave him an earnest welcome. He was somewhat below the ordinary height; in person thin yet muscular, with a firm step, though a little inclined to stoop; his countenance wore traces of care, yet lightened with intelligence as he spoke; he was mild in enunciation, neither rapid nor slow, but clear, distinct, and emphatic. His forehead was rather beyond the medium elevation, his eyes a dark grey, occupying a socket deeper than common; his hair must have once been beautiful, it was now thinned and of an iron grey. He was free of all ambitious displays; his habitual expression was pensive. His dress might have passed for that of a farmer. New York, the city of his birth, was his most interesting theme; his collegiate career with Madison, next. His story of many of his occasional poems was quite romantic. As he had at command types and a printing press, when an incident of moment in the Revolution occurred, he would retire for composition, or find shelter under the shade of some tree, indite his lyrics, repair to the press, set up his types, and issue his productions. There was no difficulty in versification with him. I told him what I had heard Jeffrey, the Scotch Reviewer, say of his writings, that the time would arrive when his poetry, like that of Hudibras, would command a commentator like Gray. On some of the occasions when Freneau honored me with a visit, we had within our circle one of my earliest friends, that rare Knickerbocker, Gulian C. Verplanck. I need not add that the charm of my interview with the bard was heightened by the rich funds of antiquarian lore possessed by the latter. "It is remarkable how tenaciously Freneau preserved the acquisitions of his early classical studies, notwithstanding he had for many years, in the after portion of his life, been occupied in pursuits so entirely alien to books. There is no portrait of the patriot Freneau; he always firmly declined the painter's art, and would brook no 'counterfeit presentiment.'" Freneau's frequent visits to New York were the chief solace of his last years. Says Dr. Francis: