French fiction -- 20th century -- Translations into English
And lifting his cane, he thrust it so adroitly that he gouged out
Croniamantal's right eye. Croniamantal fell over backward, women threw
themselves upon him and beat him. Tristouse jumped up and down with joy,
while Paponat tried to calm her. But she went over and with the end of
her umbrella stuck out Croniamantal's other eye, while he, seeing her in
this last moment of sight, cried:
"I confess my love for Tristouse Ballerinette, the divine poesy that
consoles my soul."
"Shut up, vermin!" cried the crowd of men, "there are ladies here."
The women went away soon, and a man who was balancing a large knife on
his open hand threw it in such a way that it landed right in the open
mouth of Croniamantal. Other men did the same thing. The knives stuck in
his belly, his chest, and soon there was nothing more on the ground than
a corpse bristling with points like the husk of a chestnut.
XVIII. APOTHEOSIS
Croniamantal dead, Paponat brought Tristouse Ballerinette back to the
hotel, where she relapsed into nervous fainting-spells. They were in a
very old building and by chance Paponat discovered, wrapped up in
cardboard, a bottle of water of the Queen of Hungary which dated from
the 17th Century. This remedy worked rapidly. Tristouse recovered her
senses and immediately went to the hospital to claim the body of
Croniamantal which was turned over to her without delay.
She arranged a decent burial for him and placed over his tomb a stone on
which there was engraved the following epitaph:
_Walk lightly and your silence keep,
To leave untroubled his good sleep._
Then she went back to Paris with Paponat who soon left her for a
mannikin of the Champs-Élysées.
Tristouse did not regret him very long. She went into mourning for
Croniamantal and climbed up to the Montmartre, to the Bird of Benin's
who began to pay court to her, and after he had what he desired they
began to talk of Croniamantal.
"I ought to make a statue to him," said the Bird of Benin, "For I am not
only a painter but also a sculptor."
"That's right," said Tristouse, "we must raise a statue to him."
"Where?" asked the Bird of Benin; "The government will not grant us any
ground. Times are bad for poets."
"So they say," replied Tristouse, "but perhaps it
isn't true. What do you think of the Meudon woods?"
"I thought of that, but I dared not say it. Let's go to the Meudon
woods."
"A statue of what?" asked Tristouse, "Marble? Bronze?"
"No, that's old fashioned. I must model a profound statue out of
nothing, like poetry and glory."
"Bravo! Bravo!" cried Tristouse clapping her hands, "A statue out of
nothing, empty, that's lovely, and when will you make it?"
"Tomorrow, if you wish; we shall go and dine, pass the night together,
and in the morning we shall go to the Meudon woods where I shall make
this profound statue."
* * *
Public-domain text, read in full here on John Shaqi.
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