The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty yearsAtkins, Elizabeth
History
The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty years
Atkins, Elizabeth
American poetry -- History and criticism; English poetry -- History and criticism; Poetry
It may indicate a certain weakness in this hard and fast rule that
considerable difficulty is encountered in working it backward. The
highest virtue does not always entail a supreme poetic gift, though
poets and their friends have sometimes implied as much. Southey, in his
critical writings, is likely to confuse his own virtue and that of his
protege, Kirke White, with poetical excellence. Longfellow's,
Whittier's, Bryant's strength of character has frequently been
represented by patriotic American critics as guaranteeing the quality of
their poetical wares.
Since a claim for the insunderability of virtue and genius seems to lead
one to unfortunate conclusions, it has been rashly conceded in certain
quarters that the virtue of a great poet may have no immediate
connection with his poetic gift. It is conceived by a few nervously
moral poets that morality and art dwell in separate spheres, and that
the first transcends the second. Tennyson started a fashion for viewing
the two excellences as distinct, comparing them, in _In Memoriam_:
Loveliness of perfect deeds,
More strong than all poetic thought,
and his disciples have continued to speak in this strain. This is the
tenor, for instance, of Jean Ingelow's _Letters of Life and Morning_, in
which she exhorts the young poet,
Learn to sing,
But first in all thy learning, learn to be.
The puritan element in American literary circles, always troubling the
conscience of a would-be poet, makes him eager to protest that virtue,
not poetry, holds his first allegiance.
He held his manly name
Far dearer than the muse,
[Footnote: J. G. Saxe, _A Poet's Elegy_.]
we are told of one poet-hero. The good Catholic verse of Father Ryan
carries a warning of the merely fortuitous connection between poets'
talent and their respectability, averring,
They are like angels, but some angels fell.
[Footnote: _Poets_.]
Even Whittier is not sure that poetical excellence is worthy to be
mentioned in the same breath as virtue, and he writes,
Dimmed and dwarfed, in times like these
The poet seems beside the man;
His life is now his noblest strain.
[Footnote: _To Bryant on His Birthday_.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account