The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty yearsAtkins, Elizabeth
History
The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty years
Atkins, Elizabeth
American poetry -- History and criticism; English poetry -- History and criticism; Poetry
Aside from Shelley, Marlowe is the historical poet most frequently
chosen to illustrate the world's proneness to take advantage of the
poet's innocence. In the most famous of the poems about Marlowe, _The
Death of Marlowe_, R. H. Horne takes a hopeful view of the world's
depravity, for he makes Marlowe's innocence of evil so touching that it
moves a prostitute to reform. Other poets, however, have painted
Marlowe's associates as villains of far deeper dye. In the drama by
Josephine Preston Peabody, the persecutions of hypocritical puritans
hound Marlowe to his death. [Footnote: _Marlowe._]
The most representative view of Marlowe as an innocent, deceived youth
is that presented by Alfred Noyes, in _At the Sign of the Golden
Shoe_. In this poem we find Nash describing to the Mermaid group
thetragic end of Marlowe, who lies
Dead like a dog in a drunken brawl,
Dead for a phial of paint, a taffeta gown.
While there float in from the street, at intervals, the cries of the
ballad-mongers hawking their latest doggerel,
Blaspheming Tamborlin must die,
And Faustus meet his end;
Repent, repent, or presently
To hell you must descend,
Nash tells his story of the country lad who walked to London, bringing
his possessions carried on a stick over his shoulder, bringing also,
All unshielded, all unarmed,
A child's heart, packed with splendid hopes and dreams.
His manner,
Untamed, adventurous, but still innocent,
exposed him to the clutches of the underworld. One woman, in particular,
Used all her London tricks
To coney-catch the country greenhorn.
Won by her pathetic account of her virtues and trials Marlowe tried to
help her to escape from London-then, because he was utterly unused to
the wiles of women, and was
Simple as all great, elemental things,
when she expressed an infatuation for him, then
In her treacherous eyes,
As in dark pools the mirrored stars will gleam,
Here did he see his own eternal skies.
* * * * *
And all that God had meant to wake one day
Under the Sun of Love, suddenly woke
By candle-light, and cried, "The Sun, the Sun."
At last, holding him wrapped in her hair, the woman attempted to
tantalize him by revealing her promiscuous amours. In a horror of agony
and loathing, Marlowe broke away from her. The next day, as Nash was
loitering in a group including this woman and her lover, Archer, someone
ran in to warn Archer that a man was on his way to kill him. As Marlowe
strode into the place, Nash was struck afresh by his beauty:
I saw his face,
Pale, innocent, just the clear face of that boy
Who walked to Cambridge, with a bundle and stick,
The little cobbler's son. Yet--there I caught
My only glimpse of how the sun-god looked--
Mourning for his death, the great dramatists agree that
Public-domain text, read in full here on John Shaqi.
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