The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty yearsAtkins, Elizabeth
History
The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty years
Atkins, Elizabeth
American poetry -- History and criticism; English poetry -- History and criticism; Poetry
The puritan sees, with grim pleasure, that an occasional poet confesses
that his sense of beauty is not strong enough to lead him at all times.
Emerson admits this, telling us, in _The Poet_, that although the
singer perceives ideals in his moments of afflatus which
Turn his heart from lovely maids,
And make the darlings of the earth
Swainish, coarse, and nothing worth,
these moments of exaltation pass, and the singer finds himself a mere
man, with an unusually rich sensuous nature,
Eager for good, not hating ill;
On his tense chords all strokes are felt,
The good, the bad, with equal zeal.
It is not unheard-of to find a poet who, despite occasional expressions
of confidence in the power of beauty to sustain him, loses his courage
at other times, and lays down a system of rules for his guidance that is
quite as strict as any which puritans could formulate. Wordsworth's
_Ode to Duty_ does not altogether embody the aesthetic conception
of effortless right living. One may, perhaps, explain this poem on the
grounds that Wordsworth is laying down principles of conduct, not for
poets, but for the world at large, which is blind to aesthetic
principles. Not thus, however, may one account for the self-tortures of
Arthur Clough, or of Christina Rossetti, who was fully aware of the
disagreeableness of the standards which she set up for herself. She
reflected grimly,
Does the road wind uphill all the way?
Yes, to the very end!
Will the day's journey take the whole long day?
From morn till night, my friend.
[Footnote: _Uphill._]
It cannot be accidental, however, that wherever a poet voices a stern
conception of virtue, he is a poet whose sensibility to physical beauty
is not noteworthy. This is obviously true in the case of both Clough
and Christina Rossetti. At intervals it was true of Wordsworth, whereas
in the periods of his inspiration he expressed his belief that goodness
is as a matter of good taste. The pleasures of the imagination were then
so intense that they destroyed in him all desire for dubious delights.
Thus in the _Prelude_ he described an unconscious purification of
his life by his worship of physical beauty, saying of nature,
If in my youth I have been pure in heart,
If, mingling with the world, I am content
With my own modest pleasures, and have lived
With God and Nature communing, removed
From little enmities and low desires,
The gift is yours.
Public-domain text, read in full here on John Shaqi.
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