The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty yearsAtkins, Elizabeth
History
The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty years
Atkins, Elizabeth
American poetry -- History and criticism; English poetry -- History and criticism; Poetry
Shelley comes out even more squarely than Byron against conventional
religion. In _Julian and Maddalo_, he causes Byron to say of him,
You were ever still
Among Christ's flock a perilous infidel.
Shelley helped to foster the tradition, too, that the poet was
persecuted by the church. In _Rosalind and Helen_, the hero was
hated by the clergy,
For he made verses wild and queer
Of the strange creeds priests hold so dear,
and this predilection for making them wild and queer resulted in
Lionel's death, for
The ministers of misrule sent
Seized on Lionel and bore
His chained limbs to a dreary tower,
For he, they said, from his mind had bent
Against their gods keen blasphemy.
The most notable illustration of this phase of Shelley's thought is
_The Revolt of Islam,_ wherein the poets, Laon and Cythna, are put
to death by the priests, who regard them as their worst enemies.
Burns, also, took a certain pleasure in unorthodoxy, and later poets
have gloried in his attitude.
Swinburne, in particular, praises his daring, in that he
Smote the God of base men's choice
At God's own gate.
[Footnote: _Burns._]
Young poets have not yet lost their taste for religious persecution. It
is a great disappointment to them to find it difficult to strike fire
from the faithful in these days. Swinburne in his early poetry denounced
the orthodox God with such vigor that he roused a momentary flutter of
horror in the church, but nowadays the young poet who craves to manifest
his spiritual daring is far more likely to find himself in the position
of Rupert Brooke, of whom someone has said, "He imagines the poet as
going on a magnificent quest to curse God on his throne of fire, and
finding--nothing."
The poet's youthful zest in scandalizing the orthodox is likely,
however, to be early outgrown. As the difficulties in the way of his
finding a God worthy of his adoration become manifest to him, it may be,
indeed, with a sigh that he turns from the conventional religion in
which so many men find certitude and place. This is the mood,
frequently, of Browning, [Footnote: See _Christmas Eve_ and _Easter
Day._] of Tennyson, [Footnote: See _In Memoriam._] of Arnold, [Footnote:
See _Dover Beach._] of Clough. [Footnote: See _The New Sinai, Qui
Laborat Orat, Hymnos Amnos, Epistrausium._] So, too, James Thomson muses
with regret,
How sweet to enter in, to kneel and pray
With all the others whom we love so well!
All disbelief and doubt might pass away,
And peace float to us with its Sabbath bell.
Conscience replies, There is but one good rest,
Whose head is pillowed upon Truth's pure breast.
[Footnote: _The Reclusant._]
Public-domain text, read in full here on John Shaqi.
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