The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty yearsAtkins, Elizabeth
History
The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty years
Atkins, Elizabeth
American poetry -- History and criticism; English poetry -- History and criticism; Poetry
The public which refuses to credit the poet with earnestness in his
quest of God may misconceive the dignified attempts of Arnold to free
himself from the tangle of doubt, and deem his beautiful gestures
purposely futile, but before condemning the poetic attitude toward
religion it must also take into account the contrary disposition of
Browning to kick his way out of difficulties with entire indifference to
the greater dignity of an attitude of resignation; and no more than
Arnold does Browning ever depict a poet who achieves religious
satisfaction. Thus the hero of _Pauline_ comes to no triumphant
issue, though he maintains,
I have always had one lode-star; now
As I look back, I see that I have halted
Or hastened as I looked towards that star,
A need, a trust, a yearning after God.
The same bafflement is Sordello's, over whom the author muses,
Of a power above you still,
Which, utterly incomprehensible,
Is out of rivalry, which thus you can
Love, though unloving all conceived by man--
What need! And of--none the minutest duct
To that out-nature, naught that would instruct
And so let rivalry begin to live--
But of a Power its representative
Who, being for authority the same,
Communication different, should claim
A course, the first chosen, but the last revealed,
This human clear, as that Divine concealed--
What utter need!
There is, after all, small need that the public should charge the poet
with deliberate failure to gain a satisfactory view of the deity. The
quest of a God who satisfies the poet's demand that He shall include all
life, satisfy every impulse, be as personal as the poet himself, and
embody only the harmony of beauty, is bound to be a long one. It appears
inevitable that the poet should never get more than incomplete and
troubled glimpses of such a deity, except, perhaps, in
The too-bold dying song of her whose soul
Knew no fellow for might,
Passion, vehemence, grief,
Daring, since Byron died.
[Footnote: Said of Emily Bronte. Arnold, _Haworth Churchyard._]
A complete view of the poet's deity is likely always to be as disastrous
as was that of Lucretius, as Mrs. Browning conceived of him,
Who dropped his plummet down the broad
Deep universe, and said, "No God,"
Finding no bottom.
[Footnote: _A Vision of Poets._]
If the poet's independent quest of God is doomed to no more successful
issue than this, it might seem advisable for him to tolerate the
conventional religious systems of his day. Though every poet must feel
with Tennyson,
Our little systems have their day,
They have their day and cease to be;
They are but broken lights of thee,
And thou, O Lord, art more than they,
[Footnote: _In Memoriam._]
yet he may feel, with Rossetti, that it is best to
Let lore of all theology
Be to thy soul what it can be.
[Footnote: _Soothsay._]
Public-domain text, read in full here on John Shaqi.
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