The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty yearsAtkins, Elizabeth
History
The Poet's Poet : essays on the character and mission of the poet as interpreted in English verse of the last one hundred and fifty years
Atkins, Elizabeth
American poetry -- History and criticism; English poetry -- History and criticism; Poetry
No matter how strong our affection for the ingratiating ne'er-do-well,
there are certain charges against the poet which we cannot ignore. It is
a serious thing to have an alleged madman, inebriate, and experimenter
in crime running loose in society. But there comes a time when our
patience with his indefatigable accusers is exhausted. Is not society
going a step too far if, after the poet's positive faults have been
exhausted, it institutes a trial for his sins of omission? Yet so it is.
If the poet succeeds in proving to the satisfaction of the jury that his
influence is innocuous, he must yet hear the gruff decision, "Perhaps,
as you say, you are doing no real harm. But of what possible use are
you? Either become an efficient member of society, or cease to exist."
Must we tamely look on, while the "light, winged, and holy creature," as
Plato called the poet, is harnessed to a truck wagon, and made to
deliver the world's bread and butter? Would that it were more common for
poets openly to defy society's demands for efficiency, as certain
children and malaperts of the poetic world have done! It is pleasant to
hear the naughty advice which that especially impractical poet, Emily
Dickinson, gave to a child: "Be sure to live in vain, dear. I wish I
had." [Footnote: Gamaliel Bradford, _Portraits of American Women_,
p. 248 (Mrs. Bianchi, p. 37).] And one is hardly less pleased to hear
the irrepressible Ezra Pound instruct his songs,
But above all, go to practical people, go, jangle their door-bells.
Say that you do no work, and that you will live forever.
[Footnote: _Salutation the Second_.]
Surely no one else has had so bad a time with efficiency experts as has
the poet, even though everyone whose occupation does not bring out sweat
on the brow is likely to fall under their displeasure. The scholar, for
instance, is given no rest from their querulous complaints, because he
has been sitting at his ease, with a book in his hand, while they have
dug the potatoes for his dinner. But the poet is the object of even
bitterer vituperation. He, they remind him, does not even trouble to
maintain a decorous posture during his fits of idleness. Instead, he is
often discovered flat on his back in the grass, with one foot swinging
aloft, wagging defiance at an industrious world. What right has he to
loaf and invite his soul, while the world goes to ruin all about him?
Public-domain text, read in full here on John Shaqi.
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