The Poetical Works of Addison; Gay's Fables; and Somerville's Chase: With Memoirs and Critical Dissertations, by the Rev. George GilfillanGay, John
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The Poetical Works of Addison; Gay's Fables; and Somerville's Chase: With Memoirs and Critical Dissertations, by the Rev. George Gilfillan
Gay, John
Dramatists, English -- 18th century -- Biography; English poetry -- 18th century; Poets, English -- 18th century -- Biography
In dreadful thunderings. Thus the almighty sire
Suppressed the raging of the fires with fire.
At once from life and from the chariot driven,
The ambitious boy fell thunder-struck from heaven.
The horses started with a sudden bound,
And flung the reins and chariot to the ground:
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The studded harness from their necks they broke,
Here fell a wheel, and here a silver spoke,
Here were the beam and axle torn away;
And, scattered o'er the earth, the shining fragments lay.
The breathless Phaëton, with flaming hair,
Shot from the chariot, like a falling star,
That in a summer's evening from the top
Of heaven drops down, or seems at least to drop;
Till on the Po his blasted corpse was hurled,
Far from his country, in the western world.
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PHÆTON'S SISTERS TRANSFORMED INTO TREES.
The Latian nymphs came round him, and amazed
On the dead youth, transfixed with thunder, gazed;
And, whilst yet smoking from the bolt he lay,
His shattered body to a tomb convey;
And o'er the tomb an epitaph devise:
'Here he who drove the Sun's bright chariot lies;
His father's fiery steeds he could not guide,
But in the glorious enterprise he died.'
Apollo hid his face, and pined for grief,
And, if the story may deserve belief,
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The space of one whole day is said to run,
From morn to wonted even, without a sun:
The burning ruins, with a fainter ray,
Supply the sun, and counterfeit a day,
A day that still did nature's face disclose:
This comfort from the mighty mischief rose.
But Clymene, enraged with grief, laments,
And, as her grief inspires, her passion vents:
Wild for her son, and frantic in her woes,
With hair dishevelled, round the world she goes,
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To seek where'er his body might be cast;
Till, on the borders of the Po, at last
The name inscribed on the new tomb appears:
The dear, dear name she bathes in flowing tears,
Hangs o'er the tomb, unable to depart,
And hugs the marble to her throbbing heart.
Her daughters too lament, and sigh, and mourn,
(A fruitless tribute to their brother's urn,)
And beat their naked bosoms, and complain,
And call aloud for Phaëton in vain:
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All the long night their mournful watch they keep,
And all the day stand round the tomb, and weep.
Four times revolving the full moon returned;
So long the mother and the daughters mourned:
When now the eldest, Phaëthusa, strove
To rest her weary limbs, but could not move;
Lampetia would have helped her, but she found
Herself withheld, and rooted to the ground:
A third in wild affliction, as she grieves,
Would rend her hair, but fills her hands with leaves;
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One sees her thighs transformed, another views
Her arms shot out, and branching into boughs.
And now their legs and breasts and bodies stood
Crusted with bark, and hardening into wood;
But still above were female heads displayed,
And mouths, that called the mother to their aid.
Public-domain text, read in full here on John Shaqi.
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