The Poetical Works of Addison; Gay's Fables; and Somerville's Chase: With Memoirs and Critical Dissertations, by the Rev. George GilfillanGay, John
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The Poetical Works of Addison; Gay's Fables; and Somerville's Chase: With Memoirs and Critical Dissertations, by the Rev. George Gilfillan
Gay, John
Dramatists, English -- 18th century -- Biography; English poetry -- 18th century; Poets, English -- 18th century -- Biography
That, from a hundred hills allied
In impious leagues, their king defied.
This wonder of the sculptor's hand
Produced, his art was at a stand:
For who would hope new fame to raise,
Or risk his well-established praise,
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That, his high genius to approve,
Had drawn a GEORGE, or carved a Jove!
THE PLAY-HOUSE.
Where gentle Thames through stately channels glides,
And England's proud metropolis divides;
A lofty fabric does the sight invade,
And stretches o'er the waves a pompous shade;
Whence sudden shouts the neighbourhood surprise,
And thundering claps and dreadful hissings rise.
Here thrifty R----[16] hires monarchs by the day,
And keeps his mercenary kings in pay;
With deep-mouth'd actors fills the vacant scenes,
And rakes the stews for goddesses and queens:
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Here the lewd punk, with crowns and sceptres graced,
Teaches her eyes a more majestic cast;
And hungry monarchs with a numerous train
Of suppliant slaves, like Sancho, starve and reign.
But enter in, my Muse; the stage survey,
And all its pomp and pageantry display;
Trap-doors and pit-falls, form the unfaithful ground,
And magic walls encompass it around:
On either side maim'd temples fill our eyes,
And intermixed with brothel-houses rise;
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Disjointed palaces in order stand,
And groves obedient to the mover's hand
O'ershade the stage, and flourish at command.
A stamp makes broken towns and trees entire:
So when Amphion struck the vocal lyre,
He saw the spacious circuit all around,
With crowding woods and rising cities crown'd.
But next the tiring-room survey, and see
False titles, and promiscuous quality,
Confus'dly swarm, from heroes and from queens,
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To those that swing in clouds and fill machines.
Their various characters they choose with art,
The frowning bully fits the tyrant's part:
Swoln cheeks and swaggering belly make an host,
Pale, meagre looks and hollow voice a ghost;
From careful brows and heavy downcast eyes,
Dull cits and thick-skull'd aldermen arise:
The comic tone, inspir'd by Congreve, draws
At every word, loud laughter and applause:
The whining dame continues as before,
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Her character unchanged, and acts a whore.
Above the rest, the prince with haughty stalks
Magnificent in purple buskins walks:
The royal robes his awful shoulders grace,
Profuse of spangles and of copper-lace:
Officious rascals to his mighty thigh,
Guiltless of blood, the unpointed weapon tie:
Then the gay glittering diadem put on,
Ponderous with brass, and starr'd with Bristol-stone.
His royal consort next consults her glass,
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And out of twenty boxes culls a face;
The whitening first her ghastly looks besmears,
All pale and wan the unfinish'd form appears;
Till on her cheeks the blushing purple glows,
And a false virgin-modesty bestows.
Her ruddy lips the deep vermilion dyes;
Length to her brows the pencil's arts supplies,
Public-domain text, read in full here on John Shaqi.
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