The Poetical Works of Alexander Pope, Volume 1Pope, Alexander
General
The Poetical Works of Alexander Pope, Volume 1
Pope, Alexander
English poetry -- 18th century
VER. 105. From hence, the first edition continues to ver 134.
VER. 134. In the first edition it was thus:--
As o'er the fragrant stream she bends her head.
First he expands the glittering forfex wide
To inclose the lock; then joins it to divide:
The meeting points the sacred hair dissever,
From the fair head for ever and for ever.
Ver. 154. All that is between was added afterwards.
CANTO IV.
But anxious cares the pensive nymph oppress'd,
And secret passions labour'd in her breast.
Not youthful kings in battle seized alive,
Not scornful virgins who their charms survive,
Not ardent lovers robb'd of all their bliss,
Not ancient ladies when refused a kiss,
Not tyrants fierce that unrepenting die,
Not Cynthia when her manteau's pinn'd awry,
E'er felt such rage, resentment, and despair,
As thou, sad virgin! for thy ravish'd hair. 10
For, that sad moment, when the Sylphs withdrew,
And Ariel weeping from Belinda flew,
Umbriel, a dusky, melancholy sprite,
As ever sullied the fair face of light,
Down to the central earth, his proper scene,
Repair'd, to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome,
And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows,
The dreaded east is all the wind that blows; 20
Here in a grotto, shelter'd close from air,
And screened in shades from day's detested glare,
She sighs for ever on her pensive bed,
Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place,
But differing far in figure and in face.
Here stood Ill-nature like an ancient maid,
Her wrinkled form in black and white array'd;
With store of prayers for mornings, nights, and noons
Her hand is fill'd; her bosom with lampoons. 30
There Affectation, with a sickly mien,
Shows in her cheek the roses of eighteen;
Practised to lisp, and hang the head aside,
Faints into airs, and languishes with pride;
On the rich quilt sinks with becoming woe,
Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these,
When each new night-dress gives a new disease.
A constant vapour o'er the palace flies,
Strange phantoms rising as the mists arise; 40
Dreadful, as hermits' dreams in haunted shades,
Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires,
Pale spectres, gaping tombs, and purple fires:
Now lakes of liquid gold, Elysian scenes,
And crystal domes, and angels in machines.
Unnumber'd throngs on every side are seen
Of bodies changed to various forms by Spleen.
Here living teapots stand, one arm held out,
One bent; the handle this, and that the spout: 50
A pipkin there, like Homer's tripod walks;
Here sighs a jar, and there a goose-pie talks;
Men prove with child, as powerful fancy works,
And maids turn'd bottles, call aloud for corks.
Public-domain text, read in full here on John Shaqi.
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