The Poetical Works of Alexander Pope, Volume 2Pope, Alexander
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The Poetical Works of Alexander Pope, Volume 2
Pope, Alexander
English poetry -- 18th century
Such as claim a merit from being his admirers, I would gladly ask, if it
lays him under a personal obligation? At that rate, he would be the most
obliged humble servant in the world. I dare swear for these in
particular, he never desired them to be his admirers, nor promised in
return to be theirs: that had truly been a sign he was of their
acquaintance; but would not the malicious world have suspected such an
approbation of some motive worse than ignorance in the author of the
Essay on Criticism? Be it as it will, the reasons of their admiration
and of his contempt are equally subsisting, for his works and theirs are
the very same that they were.
One, therefore, of their assertions I believe may be true--'That he has
a contempt for their writings.' And there is another, which would
probably be sooner allowed by himself than by any good judge beside--
'That his own have found too much success with the public.' But as it
cannot consist with his modesty to claim this as justice, it lies not on
him, but entirely on the public, to defend its own judgment.
There remains what in my opinion might seem a better plea for these
people than any they have made use of. If obscurity or poverty were to
exempt a man from satire, much more should folly or dulness, which are
still more involuntary; nay, as much so as personal deformity. But even
this will not help them: deformity becomes an object of ridicule when a
man sets up for being handsome; and so must dulness when he sets up for
a wit. They are not ridiculed because ridicule in itself is, or ought to
be, a pleasure, but because it is just to undeceive and vindicate the
honest and unpretending part of mankind from imposition, because
particular interest ought to yield to general, and a great number who
are not naturally fools ought never to be made so, in complaisance to a
few who are. Accordingly we find that in all ages, all vain pretenders,
were they ever so poor or ever so dull, have been constantly the topics
of the most candid satirists, from the Codrus of Juvenal to the Damon of
Boileau.
Public-domain text, read in full here on John Shaqi.
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