The Poetical Works of Alexander Pope, Volume 2Pope, Alexander
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The Poetical Works of Alexander Pope, Volume 2
Pope, Alexander
English poetry -- 18th century
The good Scriblerus indeed--nay, the world itself--might be imposed on,
in the late spurious editions, by I can't tell what sham hero or
phantom; but it was not so easy to impose on him whom this egregious
error most of all concerned. For no sooner had the fourth book laid open
the high and swelling scene, but he recognised his own heroic acts; and
when he came to the words--
'Soft on her lap her laureate son reclines,'
(though laureate imply no more than one crowned with laurel, as
befitteth any associate or consort in empire), he loudly resented this
indignity to violated majesty--indeed, not without cause, he being there
represented as fast asleep; so misbeseeming the eye of empire, which,
like that of Providence, should never doze nor slumber. 'Hah!' saith he,
'fast asleep, it seems! that's a little too strong. Pert and dull at
least you might have allowed me, but as seldom asleep as any fool.'[212]
However, the injured hero may comfort himself with this reflection, that
though it be a sleep, yet it is not the sleep of death, but of
immortality. Here he will live[213] at least, though not awake; and in
no worse condition than many an enchanted warrior before him. The famous
Durandarte, for instance, was, like him, cast into a long slumber by
Merlin, the British bard and necromancer; and his example, for
submitting to it with a good grace, might be of use to our hero. For
that disastrous knight being sorely pressed or driven to make his answer
by several persons of quality, only replied with a sigh--'Patience, and
shuffle the cards.'[214]
But now, as nothing in this world, no, not the most sacred or perfect
things either of religion or government, can escape the sting of envy,
methinks I already hear these carpers objecting to the clearness of our
hero's title.
It would never (say they) have been esteemed sufficient to make an hero
for the Iliad or Aeneis, that Achilles was brave enough to overturn one
empire, or Aeneas pious enough to raise another, had they not been
goddess-born, and princes bred. What, then, did this author mean by
erecting a player instead of one of his patrons (a person 'never a hero
even on the stage,'[215]) to this dignity of colleague in the empire of
Dulness, and achiever of a work that neither old Omar, Attila, nor John
of Leyden could entirely bring to pass?
Public-domain text, read in full here on John Shaqi.
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